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Cain slaying Abel, 1510-1515. Creator: Albertinelli, Mariotto (1474-1515)

Cain slaying Abel, 1510-1515. Creator: Albertinelli, Mariotto (1474-1515)


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Cain slaying Abel, 1510-1515. Creator: Albertinelli, Mariotto (1474-1515)

Cain slaying Abel, 1510-1515. Found in the Collection of the Accademia Carrara, Bergamo

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Media ID 36216604

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Abel Accademia Carrara Albertinelli Bergamo Cain Cain And Abel Florentine School Good And Evil Mariotto 1474 1515


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> Arts > Artists > A > Mariotto Albertinelli

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Lombardy > Bergamo

> Europe > Italy > Tuscany > Carrara

> Historic > Renaissance art > Italian Renaissance art

> Italian renaissance art


EDITORS COMMENTS
Cain Slaying Abel," a haunting masterpiece by Mariotto Albertinelli, painted between 1510 and 1515, is a poignant representation of the biblical tale found in the Old Testament. Housed in the esteemed Collection of the Accademia Carrara in Bergamo, Italy, this evocative oil on wood painting is a testament to the artistic prowess of the Florentine School during the Renaissance period. The narrative scene unfolds with Cain, the elder brother, standing over Abel's lifeless body, a bloodied club in his hand. Abel lies crumpled on the ground, his expression one of shock and disbelief, as Cain's face is etched with a mixture of guilt and anger. The idyllic landscape behind them, with its lush greenery and serene river, starkly contrasts the brutal act that has transpired. Albertinelli's masterful use of chiaroscuro, or the interplay of light and shadow, adds depth and dimension to the painting, as well as a sense of drama and tension. The intricate details in the textures of the figures' clothing and the natural environment further underscore the artist's skill and dedication to his craft. This painting is a powerful exploration of the themes of good and evil, jealousy, and the consequences of human actions. The story of Cain and Abel has been retold throughout history as a cautionary tale of sibling rivalry and the destructive nature of envy. Albertinelli's interpretation is a poignant reminder of the human capacity for both love and violence, and the enduring impact of our choices. In this hauntingly beautiful work of art, Mariotto Albertinelli invites us to reflect on the complexities of the human condition and the eternal struggle between good and evil that lies within us all.

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