Cain And Abel Collection

Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible
BEN85085 Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible painted by Pietro Benvenuti (1796-1844), 1828 (fresco)

Cain and Abel, 1531-1570. Creator: Frans Floris
Cain and Abel, 1531-1570

The Mourning of the Dead Abel, 1818. Creator: Joseph Anton Rhomberg
The Mourning of the Dead Abel, 1818

Cain Slaying Abel, 1715-1728. Creators: Paolo de Matteis, Luca Giordano
Cain Slaying Abel, 1715-1728

Adam and Eve Lamenting over the Corpse of Abel, 1604. Creator: Jan Saenredam
Adam and Eve Lamenting over the Corpse of Abel, 1604

Creation of the World, between 1775 and 1800. Creator: Russian School
Creation of the World, between 1775 and 1800

Adam and Eve with Cain and Abel. Creator: Carlo Alberto Baratta
Adam and Eve with Cain and Abel

Cain slaying Abel, First Half of 17th cen.. Creator: Pepyn (Pepijn), Marten (1575-1643)
Cain slaying Abel, First Half of 17th. Found in the collection of the Musee des Beaux-Arts, Verviers

Cain slaying Abel, 1510-1515. Creator: Albertinelli, Mariotto (1474-1515)
Cain slaying Abel, 1510-1515. Found in the Collection of the Accademia Carrara, Bergamo

Adam and Eve with Infants Cain and Abel, c.1500. Creator: Cristofano di Michele Martini
Adam and Eve with Infants Cain and Abel, c.1500

Adam and Eve with the Infants Cain and Abel, c.1500. Creator: Cristofano di Michele Martini
Adam and Eve with the Infants Cain and Abel, c.1500

The first quarrel (Cain and Abel), 1861. Artist: Bouguereau, William-Adolphe (1825-1905)
The first quarrel (Cain and Abel), 1861. Private Collection

Sacrifice of Cain and Abel, 16th-17th century. Creator: Francesco Allegrini
Sacrifice of Cain and Abel, 16th-17th century

Page from the Winchester Bible, c. 1150-80 (vellum)
XCF286460 Page from the Winchester Bible, c.1150-80 (vellum) by English School, (12th century); Winchester Cathedral, Hampshire, UK

Cain and Abel (Old Testament cycle), 1918. Creator: Segal, Arthur (1875-1944)
Cain and Abel (Old Testament cycle), 1918. Private Collection

Michael Sets before Adam a Vision from Paradise Lost
5615858 Michael Sets before Adam a Vision from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

The First Cradle, engraved by W Rolfe from the Group by A H Derby (engraving)
5198867 The First Cradle, engraved by W Rolfe from the Group by A H Derby (engraving) by Roffe, William John (fl.1845-89); Private Collection; (add.info.: The First Cradle)

Detail from the south side of the west porch, c. 1120-38 (stone) (see 136521 and 136522)
JFS136520 Detail from the south side of the west porch, c. 1120-38 (stone) (see 136521 and 136522) by Nicholaus (fl.1110-40); Church of San Zeno Maggiore, Verona, Italy; eJohn Ferro Sims; Italian

Detail from the south side of the west porch, c. 1120-38 (stone) (see 136520 and 136522)
JFS136521 Detail from the south side of the west porch, c.1120-38 (stone) (see 136520 and 136522) by Nicholaus (fl.1110-40); Church of San Zeno Maggiore, Verona, Italy; eJohn Ferro Sims; Italian

Samson Smiting a Philistine with the Jawbone of an Ass
AII79492 Samson Smiting a Philistine with the Jawbone of an Ass by Schiavone, Giorgio (1434/36-1504); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Adam bawgt die erden. Creator: Hans Holbein the Younger
Adam bawgt die erden

Plate 1: Cain Killing Abel, from The Battles of the Old Testament, ca. 1590... ca
Plate 1: Cain Killing Abel, from The Battles of the Old Testament, ca. 1590-ca. 1610

Adam and Eve Lamenting the Death of Abel, 1564. Creator: Cornelis Cort
Adam and Eve Lamenting the Death of Abel, 1564

Cain holding a mirror watching his sacrifice engulfed in flames, Adam and Eve seated nearby; in the upper right an angel expelling them from Paradise, ca. 1530-50

Cain and Abel. Creator: Crespi, Daniele (1598-1630)
Cain and Abel. Private Collection

Adam and Eve mourn the death of Abel, 1632-1635. Creator: Stomer, Matthias (ca. 1600-after 1650)
Adam and Eve mourn the death of Abel, 1632-1635. Found in the Collection of MUZA, Muzew Nazzjonali tal-Arti, Valletta, (Heritage Malta)

Adam and Eve mourn the death of Abel. Creator: Zatti, Carlo (1810-1899)
Adam and Eve mourn the death of Abel. Found in the Collection of Pinacoteca di Brera, Milan

Adam and Eve. The first parents, 1780s. Found in the Collection of State A. Pushkin Museum of Fine Arts, Moscow

Cain, 1885. Found in the collection of National Gallery, Prague

Cain and Abel. Found in the Collection of Gallerie dell Accademia, Venice

Cain and Abel, c. 1610. Artist: Guidotti, Paolo (il Cavalier Borghese) (1560-1629)
Cain and Abel, c. 1610. Private Collection

Cain and Abel, c. 1610. Found in the collection of Art History Museum, Vienne

Cain and Abel, Willem de Zwart, 1900 - 1931

Genesis (oil on panel)
XIR215176 Genesis (oil on panel) by Bulgarian School, (19th century); Museum of the National Revival Period, Varna, Bulgaria; Bulgarian, out of copyright

Italy, Rome, painting of Cain and Abel from Scipione
Scipione (Gino Bonichi, 1904-1933), Cain and Abel, 1932

Cain and Abel, Gates of Paradise, detail of bronze door of the Baptistry of San Giovanni, Florence, Tuscany, Italy, Europe

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"Cain and Abel: A Tale of Jealousy, Betrayal, and Divine Justice" In the realm of biblical narratives, few stories are as hauntingly tragic as that of Cain and Abel. This ancient tale has captivated artists throughout history, inspiring them to depict the fateful events in various forms. One such portrayal is Lucas van Leyden's "Cain Killing Abel" from 1524. In this engraving, the artist captures the moment when envy consumes Cain's heart, leading him to commit fratricide. The anguish on Abel's face reflects his innocence and disbelief at his brother's violent act. Another striking depiction is found in a color lithograph titled "Cain Et Abel. " Here, we witness the aftermath of the murder—the lifeless body of Abel lying on the ground while Cain stands over him with remorse etched across his face. The contrasting colors emphasize both their individuality and their connection as brothers torn apart by jealousy. Arthur Segal's "Cain and Abel (Old Testament cycle)" from 1918 offers a modern interpretation. Through abstract shapes and bold lines, Segal conveys not only the physical violence but also the emotional turmoil within each character. It serves as a reminder that this story transcends time; its themes continue to resonate with audiences today. The Winchester Bible page dating back to c. 1150-80 showcases an intricately illustrated scene where Adam kneels beside his slain son while Cain flees into oblivion in despair. This image captures not only grief but also God’s divine intervention—Adam beseeching for justice amidst unimaginable loss. Moving forward through time brings us to an unfinished valance or frieze from England in 1601/25—a visual representation frozen mid-process yet still conveying profound meaning. Its incomplete state mirrors humanity's own journey towards understanding our complex relationship with good versus evil. Lastly, Michael sets before Adam a vision from "Paradise Lost" in a captivating engraving.