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Bichette...viens donc arranger ma rosette!... 1844. Creator: Honore Daumier

Bichette...viens donc arranger ma rosette!... 1844. Creator: Honore Daumier


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Bichette...viens donc arranger ma rosette!... 1844. Creator: Honore Daumier

Bichette...viens donc arranger ma rosette!... 1844. Bichette...viens donc arranger ma rosette!...'. - Voila bien les hommes!...comme ils abusent de leurs droits! parce qu'on a eu un jour de faiblesse de serrer avec eux les noeuds de l'hymenee, ils voudraient ensuite vous faire serrer a perpetuite ceux de leurs cravattes!..mais je suis decidee a suivre desormais les principes emis ce matin meme par Artemise Jabutot dans son remarquable article de la Gazette des femmes libres....A bas les noeuds de cravattes et les boutons de pantalons!'. Husband: Bichette...come and fix my rosette!... Wife: That's men for you!...how they abuse their rights! Just because we had one day of weakness to tighten the wedding knots with them, they want to make you tighten the knots of their ties for ever!..but I have decided from now to follow the principles issued this very morning by Artemise Jabutot in her remarkable article in the Gazette of free women....Down with tie knots and trouser buttons!'. Satirical criticism of bluestockings': women with interests beyond housework and childcare. Female authors were often depicted as mannish and ugly - the implication being that their intellectual output was just as objectionable as their looks. From Les Bas-bleus, no. 16

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Media ID 36353362

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Bluestocking Daumier Honore Daumier Honore Victorin Equality Family Life Feminism Feminist Funny Gender Gender Role Getting Dressed H Daumier Honore Daumier Honore Victorin Daumier Husband Lithographic Misogynistic Misogyny Rights Sexism Sexist Tying Wife Wives Womens Movement Womens Rights


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Bichette...viens donc arranger ma rosette!

EDITORS COMMENTS
("Bichette, come and fix my rosette!", 1844) is a satirical print by the renowned French artist Honore Daumier. This image captures a heated moment between a husband and wife, with the wife, Bichette, refusing to tie her husband's tie and expressing her disdain for the traditional gender roles and expectations. The scene unfolds in the couple's home, with the husband holding out his necktie, demanding his wife to tie it for him. Bichette, with a determined expression, responds with a fiery speech, declaring her intention to reject the societal norms that bind women to domestic duties and men to their ties. She references an article by Artemise Jabutot, a female author and advocate for women's rights, published in the Gazette des femmes libres ("Gazette of free women"). In her article, Jabutot urged women to embrace their intellectual pursuits and reject the confining ties and buttons that symbolized their subservient roles. This print is a powerful commentary on the societal expectations of women during the 19th century, particularly those who dared to challenge traditional gender roles and pursue intellectual interests beyond housework and childcare. Female authors were often depicted as "bluestockings," an insulting term used to describe women with intellectual pursuits and an androgynous appearance. The implication was that their intellectual output was just as objectionable as their looks. Daumier's print is a testament to the courage and determination of women like Bichette, who refused to be defined by their gender and societal expectations. The print is a reminder of the ongoing struggle for gender equality and the importance of challenging societal norms that limit individual freedom and expression.

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