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Beauties of the Pleasure Quarters (Seiro bijin awase): Kisegawa of the Matsubaya... c. 1797. Creator: Hosoda Eishi
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Beauties of the Pleasure Quarters (Seiro bijin awase): Kisegawa of the Matsubaya... c. 1797. Creator: Hosoda Eishi
Beauties of the Pleasure Quarters (Seiro bijin awase): Kisegawa of the Matsubaya with Attendants Onami and Menami, c. 1797
Heritage Images features heritage image collections
Media ID 24376563
© Heritage Art/Heritage Images
Chobunsai Eishi Courtesan Courtesans Eishi Chobunsai Eishi Hosoda Hair Pin Hairpin Hairpins Hand Gestures Hand Held Hands Hosoda Eishi Hosoi Chobunsai See Through Shimada Transparent Block Printing Colour Woodblock Print Hand Gesture Oban Tokugawa Period Woodblock Printing
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EDITORS COMMENTS
This woodblock print, titled "Beauties of the Pleasure Quarters: Kisegawa of the Matsubaya" transports us to 18th century Japan during the Edo period. Created by Hosoda Eishi, a renowned artist of that era, this artwork beautifully captures the essence and allure of courtesans in their traditional attire. The central figure, Kisegawa, is depicted with utmost grace and elegance. Her elaborate hairstyle adorned with hairpins known as shimada adds to her charm. With delicate hand gestures and a fan held delicately in her hands, she exudes an air of sophistication and poise. Flanking Kisegawa are her attendants Onami and Menami. Dressed in vibrant kimonos, they complement their mistress's beauty while adding depth to the composition. The transparency technique used in this woodblock print gives them an ethereal quality that enhances their presence. Every detail within this artwork showcases the skillful craftsmanship involved in ukiyo-e prints. From the intricate patterns on their garments to the subtle shading techniques employed throughout, it is evident why these prints were highly sought after during that time. As we admire this piece from Heritage Images at Art Institute Chicago's gallery, we are transported back to a bygone era where artistry thrived alongside cultural traditions. It serves as a reminder of Japan's rich artistic heritage and its ability to captivate audiences even centuries later.
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