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Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier
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Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier
Assumption of the Virgin, 1516-1518 (1870). After the painting by Titian in the collection of the Santa Maria Gloriosa dei Frari, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870
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Media ID 14950671
© The Print Collector / Heritage-Images
Assumption Heaven Lifting Mantz Miranda Paul Paul Mantz Print Collector12 Raising Rising Roland Saint Mary St Mary Stella Maris The Virgin Mary Titian Tiziano Tiziano Vecelli Tiziano Vecellio Vecellio Venetian Virgin Mother Cherub Mother Of God Putti
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EDITORS COMMENTS
The Assumption of the Virgin, a captivating print by Roland Brunier, transports us to the 16th century Venice where Titian's masterpiece resides in the Santa Maria Gloriosa dei Frari. This engraving beautifully captures the essence of this renowned painting from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz. In this scene, we witness the momentous event as Mary, surrounded by cherubs and angels, is lifted towards heaven. The men and women below gaze up in awe at this miraculous sight. The religious significance of this artwork is palpable as it depicts one of Christianity's most revered events - the assumption of Mary into heaven. Brunier skillfully brings out every detail with his masterful technique, showcasing his admiration for Titian's original work. The monochrome palette adds a timeless quality to the image while highlighting its dramatic composition. As we delve into this print, we are reminded of Italy's rich artistic heritage during the Renaissance period. It serves as a testament to both religious devotion and artistic excellence that defined that era. This print not only pays homage to Titian but also stands on its own as a remarkable piece of artistry by Roland Brunier. It allows us to appreciate and contemplate upon the beauty and significance behind such iconic works that continue to inspire generations across centuries.
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