Miranda Collection

Miranda. The Tempest, 1916. Artist: Waterhouse, John William (1849-1917)
Miranda. The Tempest, 1916. Private Collection

Soho, London - 18 Greek Street W1 - Mirandas Private Members Club, cabaret and restaurant (formerly The Establishment Club). 1973

A gigantic scarp on the surface of Uranus moon, Miranda. It is the sheerest known cliff in the solar system. It may be 3 miles high

Coleoptera sp. metallic beetles
A pair of gold and silver metallic beetles side by side

CARREяDE MIRANDA, Juan (1614-1685). La monstrua
CARREя DE MIRANDA, Juan (1614-1685). La monstrua desnuda (Eugenia Mart� z Vallejo Unclothed). ca. 1650. Represented as Bacchus. Baroque art. Oil on canvas. SPAIN. Madrid. Prado Museum

Prospero and Miranda watch the Tempest (colour litho)
5988786 Prospero and Miranda watch the Tempest (colour litho) by Dugdale, Thomas Cantrell (1880-1952); Private Collection; (add.info.: Prospero and Miranda watch the Tempest)

Scene from Shakespeares The Tempest
A scene from Shakespeares play, The Tempest, in which Prospero and his daughter Miranda watch the shipwreck -- fortunately, no-one will be harmed

The Tempest Shakespeare
Miranda and Ferdinand play a game of chess

SHAKESPEARE: TEMPEST. Title page of a 19th century edition of William Shakespeares The Tempest, wood engraving after Sir John Gilbert

Gibson Girl - Miranda Date: 1903

South America, Brazil, Miranda, Terena indigenous people from the Brazilian Pantanal performing a ritual stick dance in grass skirts

Spain. First Carlist War. Alava squadron (engraving)
CUL4936438 Spain. First Carlist War. Alava squadron (engraving); (add.info.: Spain. First Carlist War. Alava squadron. Engraving by Manuel Miranda); AIC.

Bartolome Carranza, sometimes called de Miranda or de Carranza y Miranda, after an etching in Retratos de Los Espanoles
3473248 Bartolome Carranza, sometimes called de Miranda or de Carranza y Miranda, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub

First Carlist War, Bruno de Villarreal and his staff (colour litho)
CUL4866234 First Carlist War, Bruno de Villarreal and his staff (colour litho) by Miranda, Manuel (1800-1865); (add.info.: MIRANDA, Manuel (19th c.)

The Tempest - Shakespeare by Dore
3789611 The Tempest - Shakespeare by Dore by Dore, Gustave (1832-83); (add.info.: William Shakespeare 's play 'The Tempest' - Act I - The witch Sycorax: ' Pro: The foul witch)

The Tempest - Shakespeare by Dore
3782971 The Tempest - Shakespeare by Dore by Dore, Gustave (1832-83); (add.info.: William Shakespeare 's play 'The Tempest' - Act I - The witch Sycorax: ' Pro: The foul witch)

A Study of Miranda for "The Tempest", c. 1786. Creator: George Romney
A Study of Miranda for "The Tempest", c. 1786

Prospero, Miranda, Caliban and Ariel, 1797. Creator: Jean Pierre Simon
Prospero, Miranda, Caliban and Ariel, 1797

Miranda in The Tempest by William Shakespeare, at the Opera House, Southport, 9 October 1905 for one week, Herbert Beerbohm Trees production which opened at His Majestys Theatre on 14 September 1904

Steam yacht Miranda at anchor, 1910. Creator: Kirk & Sons of Cowes
Steam yacht Miranda at anchor, 1910

Our Lady of Atocha, circa 1680, by Juan Carreno de Miranda
Juan Carreno de Miranda (1614-1685). Spanish painter. Our Lady of Atocha, circa 1680. History Museum. Madrid. Spain. (On loan, Prado Museum, Madrid)

Charles II (1661-1700). King of Spain
Charles II (1661-1700). Called the Bewitched. King of Spain. Portrait by Juan Carreno de Miranda (1614-1685), circa 1670. Lazaro Galdiano Museum. Madrid. Spain

French glamour postcard - La Belle de Miranda Date: circa 1910

Ferdinand And Miranda
This painting depicts a later scene from William Shackespeare's The Tempest, in which Miranda and Ferdinand are sat playing chess in a coastal countryside

Norah Kerin as Miranda, The Tempest, Shakespeare
Norah Kerin as Miranda in The Tempest by William Shakespeare Date: 1904

Vanni Marcoux, H G Moore and Lalla Miranda
Signor Vanni Marcoux (L), bass, H G Moore (R), assistant stage manager, Mme Lalla Miranda, soprano Date: 1910

History of Spain. Battle of Covadonga, 722. It was the first victory won by Christian military forces in Iberia after the Islamic conquest of Hispania. Illustration by Fernando Miranda

Penitent Magdalene, 1654, by Juan Carreno de Miranda
Juan Carreno de Miranda (1614-1685). Spanish painter. Penitent Magdalene, 1654. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Mariana of Austria (1634-1696) by Juan Carreno de Miranda
Mariana of Austria (1634-1696). Queen of Spain. spouse of Philiph IV. Portrait by Juan Carreno de Miranda (1614-1685). Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Music cover, A Journey to a Star
Music cover, A Journey to A Star, words by Leo Robin, music by Harry Warren, played by Benny Goodman in the 20th Century Fox film The Girls He Left Behind

The Tempest (colour litho)
3653323 The Tempest (colour litho) by Hammond, Gertrude E. Demain (1862-1952) (after); Private Collection; (add.info.: The Tempest)

Ferdinand and Miranda (colour litho)
5988779 Ferdinand and Miranda (colour litho) by Dugdale, Thomas Cantrell (1880-1952); Private Collection; (add.info.: Ferdinand and Miranda)

Northern Spain: Miranda del Ebro, A Corner in the Town (colour litho)
6028076 Northern Spain: Miranda del Ebro, A Corner in the Town (colour litho) by Wigram, Edgar T. A. (1864-1935); Private Collection; (add.info.: Miranda del Ebro, A Corner in the Town)

Shakespeares The Tempest, Act V, Scene 1 (engraving)
5218965 Shakespeares The Tempest, Act V, Scene 1 (engraving) by Paton, Joseph Noel (1821-1901) (after); Private Collection; (add.info.: Act V, Scene 1)

Shakespeares The Tempest, Act I, Scene 2 (engraving)
5218954 Shakespeares The Tempest, Act I, Scene 2 (engraving) by Paton, Joseph Noel (1821-1901) (after); Private Collection; (add.info.: Act I, Scene 2)

Shakespeares The Tempest, Act III, Scene 1 (engraving)
5218959 Shakespeares The Tempest, Act III, Scene 1 (engraving) by Paton, Joseph Noel (1821-1901) (after); Private Collection; (add.info.: Act III, Scene 1)

Shakespeares The Tempest, Act I, Scene 2 (engraving)
5218956 Shakespeares The Tempest, Act I, Scene 2 (engraving) by Paton, Joseph Noel (1821-1901) (after); Private Collection; (add.info.: Act I, Scene 2)

Ferdinand and Miranda (chromolitho)
3626454 Ferdinand and Miranda (chromolitho) by Brundage, Frances (1854-1937); Private Collection; (add.info.: Ferdinand and Miranda. The Tempest)

A page from The Sphere reporting on yachting at Cowes in 1910. The large bottom photograph shows the opulent interior of the Miranda owned by Lord Leith of Fyvie

"On the topmost, the yards and the bowsprit, would I flame distinctly"
3037133 " On the topmost, the yards and the bowsprit, would I flame distinctly", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Ann Brown and George Mattocks in the operatic version
Miss Ann Brown and Mr. George Mattocks in the characters of Miranda and Ferdinand in an operatic version of William Shakespeares The Tempest, Covent Garden Theatre, 1776

The Tempest, Act I, Scene I, engraved by B. Smith, 1797 (engraving) (see 143705-143708)
BOL143897 The Tempest, Act I, Scene I, engraved by B. Smith, 1797 (engraving) (see 143705-143708) by Romney, George (1734-1802) (after); Bolton Museum and Art Gallery, Lancashire

The Dream of youthful William Shakespeare - showing his characters Falstaff, Prospero, Miranda, Titania, Macbeth, King Lear. 16th century

Miss Ann Brown and Mr George Mattocks in the characters of Miranda and Ferdinand in an operatic version of William
6337690 Miss Ann Brown and Mr George Mattocks in the characters of Miranda and Ferdinand in an operatic version of William Shakespeares The Tempest, Covent Garden Theatre, 1776 by Grignion

Preparations for Crimean War, The Baltic Fleet - HMS Miranda
Naval preparations for the Crimean War, The Baltic Fleet under Sir Charles Napier - The steam-sloop HMS Miranda, pictured saluting Kronberg Castle, Helsingor (Elsinore, Elsineur), Denmark. Date: 1854

"Sweet Lord, you play me false", illustration from The Tempest
3037151 " Sweet Lord, you play me false", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

"Fury! Fury! There, tyrant, there Hark! Hark!, illustration from The Tempest
3037148 " Fury! Fury! There, tyrant, there Hark! Hark!, illustration from The Tempest, 1908 (colour litho) by Woodroffe

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"Miranda: A Captivating Tale of Art, Science, and Literature" Step into the enchanting world of Miranda, where art, science, and literature intertwine to create a captivating narrative. From John William Waterhouse's mesmerizing painting "Miranda. The Tempest" to the bustling streets of Soho in London's 18 Greek Street W1, this name holds countless stories. Did you know that Miranda is not only a character from Shakespeare's renowned play "The Tempest, " but also the name of a gigantic scarp on Uranus' moon? It seems that even celestial bodies are touched by the allure of this name. But let us not forget about nature's wonders – Coleoptera sp. , those metallic beetles that shimmer like tiny jewels under sunlight. Their iridescent beauty mirrors the magic surrounding Miranda. Speaking of Shakespearean tales, Prospero and Miranda watch as tempestuous events unfold in vivid color lithographs. These scenes transport us to another era when theater was alive with emotion and imagination. Yet our journey through time does not stop there; we encounter Juan Carreño de Miranda (1614-1685), whose artwork titled "La monstrua" captures both curiosity and fear within its brushstrokes. Intriguingly enough, it seems that even modern-day culture has been influenced by this enigmatic name. The Gibson Girl - Miranda - epitomizes grace and elegance during an era defined by changing societal norms. Let us also remember Agustín de Iturbide (1783-1824), a Mexican general whose legacy echoes through history. His presence adds depth to the multifaceted identity associated with the name Miranda. Finally, we return full circle to Shakespeare himself – his timeless play "The Tempest. " Its title page from a 19th-century edition showcases wood engravings after Sir John Gilbert's masterful illustrations. This serves as a reminder that Miranda's allure has endured for centuries.