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The 2nd Ichikawa Komazo, ca. 1795. Creator: Katsukawa Shunkaku

The 2nd Ichikawa Komazo, ca. 1795. Creator: Katsukawa Shunkaku


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The 2nd Ichikawa Komazo, ca. 1795. Creator: Katsukawa Shunkaku

The 2nd Ichikawa Komazo, ca. 1795

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Media ID 23883806

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Bare Feet Hanataka Koshiro Ichikawa Komazo Ichikawa Komazo Ii Ink And Color On Paper Komazo Ichikawa Komazo Ii Matsumoto Koshiro V Barefoot Polychrome Woodblock Print Standard Thespian


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> Arts > Artists > J > Japanese School Japanese School

> Asia > Japan > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This polychrome woodblock print, titled "The 2nd Ichikawa Komazo" transports us back to the vibrant world of 18th-century Japan. Created by the talented artist Katsukawa Shunkaku during the Edo period, this artwork showcases the renowned actor Ichikawa Komazo II in all his theatrical glory. In this full-length portrait, we see Ichikawa Komazo II standing proudly with a banner and flags as symbols of his artistic prowess. His bare feet firmly planted on the ground reflect both his connection to traditional Japanese culture and his dedication to his craft. The intricate details rendered through ink and color on paper bring out every nuance of expression on his face, capturing not only his physical appearance but also conveying a sense of character and emotion. Ichikawa Komazo II was part of an esteemed lineage of actors who graced stages across Japan during this era. Known for their mesmerizing performances, these actors were highly regarded for their ability to transport audiences into different worlds through their artistry. As we gaze upon this remarkable print at The Metropolitan Museum of Art, we are reminded of the rich heritage that ukiyo-e prints like these represent. They serve as windows into a bygone era when entertainment was not just about spectacle but also about preserving cultural traditions and storytelling. Through Shunkaku's skillful handiwork, we are able to appreciate both the beauty and significance of Japanese theater in its golden age.

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