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Greetings Card : Wild rose botanical study
Cards from Mary Evans Picture Library
Wild rose botanical study
Wild rose botanical study.. Lithograph with pochoir (stencil) handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris, 1897
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14211700
© Florilegius / Mary Evans
Andtheirapplicationtoornament Artnouveau Eugenegrasset Handcoloring Pochoir Stencil
Greetings Card (A5)
Brighten someone's day with a beautiful and unique greeting card from Media Storehouse's botanical collection. This exquisite design features a wild rose in intricate detail, taken from Eugene Grasset's "Plants and their Application to Ornament," published in Paris in 1897. The lithograph is enhanced with delicate pochoir (stencil) handcoloring, adding a touch of elegance and sophistication. Each card comes with a thoughtful blank inside for your personal message, making it a perfect gift for any occasion. Bring a piece of botanical art into your world and express your feelings in style with Media Storehouse's Wild Rose Botanical Study greeting card.
Create your own greetings card. Size when folded is A5 (14.5x21cm or 5.7x8.3 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 14.5cm x 21cm (5.7" x 8.3")
Estimated Product Size is 29cm x 21cm (11.4" x 8.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This stunning wild rose botanical study is an exquisite example of the Art Nouveau design aesthetic, showcasing the intricate details of the wild rose (Rosa gallica) through the masterful techniques of lithography and pochoir handcoloring. Created by renowned French botanical artist Eugène Grasset for his publication "Plants and Their Application to Ornament," published in Paris in 1897, this work of art is a testament to the beauty and complexity of the natural world. Lithography, a printing process that uses a flat limestone or metal plate, allowed Grasset to capture the delicate contours and textures of the wild rose with remarkable precision. The addition of pochoir handcoloring, which involves applying color through stencils, brought an extra dimension of vibrancy and depth to the image. The result is a captivating representation of the wild rose, with each petal, thorn, and vein rendered in exquisite detail. The Art Nouveau movement, which emerged in the late 19th century, was characterized by its organic and sinuous forms, often inspired by nature. Grasset's wild rose study embodies this style, with its flowing lines and delicate curves. The intricate patterns and shapes of the rose petals and leaves are reminiscent of the decorative motifs that were popular during this period, making this botanical study not only a work of art but also an important historical artifact. Today, this wild rose botanical study continues to inspire artists, designers, and nature enthusiasts with its intricate beauty and historical significance. It serves as a reminder of the rich artistic traditions of the past and the enduring allure of the natural world.
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