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Greetings Card : St Saviours Church, Ijebu Ode, Nigeria, West Africa

St Saviours Church, Ijebu Ode, Nigeria, West Africa




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St Saviours Church, Ijebu Ode, Nigeria, West Africa

Interior of St Saviours Church, Ijebu Ode, Nigeria, West Africa. Date: 1910s

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14407683

© Mary Evans / Pharcide

Churches Colonialism Font Nigeria Nigerian Pews Saviour Saviours


Greetings Card (A5)

Discover the rich cultural heritage of Nigeria with our exquisite range of greeting cards from Media Storehouse. Featuring the stunning interior of St. Saviour's Church in Ijebu Ode, this beautifully detailed image transports you back in time to the 1910s. Printed from an authentic photograph sourced from Mary Evans Prints Online, these cards are a thoughtful and unique way to express your sentiments. Perfect for special occasions or just to brighten someone's day, our cards are a must-have for those who appreciate the beauty of history and the power of a well-chosen message.

Create your own greetings card. Size when folded is A5 (14.5x21cm or 5.7x8.3 inches)

Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more

Estimated Image Size (if not cropped) is 21cm x 14.5cm (8.3" x 5.7")

Estimated Product Size is 21cm x 29cm (8.3" x 11.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This evocative photograph captures the interior of St. Saviour's Church in Ijebu Ode, Nigeria, West Africa, during the 1910s. The church, built primarily of stone with wooden accents, stands as a testament to the rich history of colonialism and the spread of Christianity in Africa. The font, adorned with intricate carvings, reflects the fusion of African and European design elements. The pews, filled with worshippers dressed in traditional African attire and Western-style clothing, reflect the diverse cultural influences that shaped this community. The stone walls bear inscriptions in both English and the Yoruba language, Oluwa Kan, signifying the merging of the indigenous faith with Christianity. The stained glass windows filter the sunlight, casting a warm, inviting glow over the congregation. The British colonial influence is evident in the architectural style and the use of English hymnals, yet the unique cultural identity of the community is preserved within these walls. This image offers a glimpse into the complex tapestry of religious and cultural practices that defined life in Nigeria during the early 20th century.

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