Greetings Card > Arts > Artists > B > Salomon de Bray
Greetings Card : Samson tears temple Dagon 1659 oil oak wood 65. 2 x 51. 1 cm
Cards from Liszt Collection
Samson tears temple Dagon 1659 oil oak wood 65. 2 x 51. 1 cm
Samson tears the temple of Dagon, 1659, oil on oak wood, 65.2 x 51.1 cm, Signed and dated on the fountain bowl: D BrAY 1659, at the bottom in black: 58 12/20 59 1/9 (probably also from the artist due to the same style), Salomon de Bray, Amsterdam 1597-1664 Haarlem
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19592144
© Artokoloro
1659 Bottom Dagon Dated Oak Wood Signed Style Temple Salomon De Bray
Greetings Card (A5)
Experience the rich history and artistic mastery with our exclusive range of Greeting Cards from Media Storehouse. This card features an iconic painting from the Liszt Collection, "Samson Tears the Temple of Dagon" (1659) by Daniel Bray. Depicting the biblical story of Samson's act of defiance against the Philistines, this oil on oak wood painting showcases intricate details and vibrant colors. Add a touch of history and culture to your correspondence with this beautifully designed greeting card.
Create your own greetings card. Size when folded is A5 (14.5x21cm or 5.7x8.3 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 14.5cm x 21cm (5.7" x 8.3")
Estimated Product Size is 29cm x 21cm (11.4" x 8.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the masterpiece "Samson tears the temple of Dagon" by Salomon de Bray, a renowned artist from Amsterdam. Created in 1659, this oil painting on oak wood measures 65.2 x 51.1 cm and is signed and dated on the fountain bowl: D BrAY 1659. The artwork depicts a dramatic scene from biblical lore, where Samson, known for his incredible strength, unleashes his fury upon the temple of Dagon. With immense power and determination, he tears down the pillars supporting the grand structure while surrounded by astonished onlookers. Salomon de Bray's meticulous attention to detail is evident in every brushstroke, capturing both the raw emotion of Samson's triumph and the intricate architectural elements of the temple. The composition exudes a sense of energy and movement as debris flies through the air amidst crumbling walls. The bottom section bears additional markings in black: "58 12/20" and "59 1/9" possibly indicating important dates or references related to either Salomon de Bray or someone associated with him. This remarkable piece exemplifies De Bray's mastery in depicting historical narratives with exceptional skill and precision. It serves as a testament to his artistic brilliance during Amsterdam's Golden Age art scene.
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