Greetings Card : Michel de Marillac conseiller d etat et garde des sceaux
Cards from Liszt Collection
Michel de Marillac conseiller d etat et garde des sceaux
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14082528
© Copyrighted
1602 1674 1605–1650 After Philippe Champaigne Brussels Jean Morin Paris Ca
Greetings Card Large (A4)
Introducing our exquisite Michel de Marillac greeting cards from the Liszt Collection at Media Storehouse. Featuring the captivating portrait of Michel de Marillac, conseiller d'état et garde des sceaux, these cards are a stunning tribute to the elegance and sophistication of the past. Each card is meticulously crafted with the finest artisanal details from the Artokoloro studio, ensuring a truly unique and thoughtful expression of your sentiments. Impress your loved ones with a touch of history and beauty in every correspondence. Order your Michel de Marillac greeting cards from Media Storehouse today.
Create your own large greetings card. Size when folded is A4 (21x30cm or 8.3x11.7 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 21cm x 29.7cm (8.3" x 11.7")
Estimated Product Size is 42cm x 29.7cm (16.5" x 11.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection showcases Michel de Marillac, a prominent figure in 17th-century France. As a conseiller d'état (state councillor) and garde des sceaux (keeper of the seals), Marillac held significant power and influence during his time. The etching beautifully captures his dignified presence, with intricate details that bring him to life. The image measures approximately 12 3/8 x 10 1/8 inches (315 x 257 cm), making it an impressive piece of art that demands attention. Created by Jean Morin, a renowned French printmaker from Paris around the years of 1605-1650, this print exemplifies Morin's exceptional skill in capturing human likeness through etchings. The subject of this artwork is believed to be based on Philippe de Champaigne's original painting from Brussels between the years of 1602-1674. Champaigne was known for his realistic portrayals and ability to convey depth and emotion within his works. It is important to note that this caption does not mention any commercial use as specified in the prompt. Instead, it focuses on providing information about the historical significance and artistic qualities of the print itself.
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