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Greetings Card : The Avignon Pieta, 1450-60 (oil on panel) (detail of 244976)
Resolution may be poor at this size (73 DPI)
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The Avignon Pieta, 1450-60 (oil on panel) (detail of 244976)
XIR331780 The Avignon Pieta, 1450-60 (oil on panel) (detail of 244976) by Quarton, Enguerrand (c.1410-66); 163 x 218.5 cm; Louvre, Paris, France; (add.info.: before the French revolution the painting was in the church at Villeneuve-les-Avignon; to the left of the Madonna is an unknown donor in the clerical dress of a canon, then John the Evangelist; to the right is Saint Madeleine; ); French, out of copyright
Media ID 12852871
© www.bridgemanimages.com
Crying Grief Lamentation Marie Mary Magdalene Tears Halo Mourning
Greetings Card (A5)
Bring a touch of art history to your loved ones with our exquisite range of greeting cards from Media Storehouse. This card features a stunning detail from The Avignon Pieta, a 15th-century oil on panel masterpiece by Enguerrand Quarton. Depicting the Pieta scene, with the Virgin Mary cradling the dead body of Jesus, this artwork from the Louvre Museum in Paris is a testament to the beauty and depth of the Renaissance period. Impress your recipients with this thoughtful and artistic greeting card.
Create your own greetings card. Size when folded is A5 (14.5x21cm or 5.7x8.3 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 21cm x 14.5cm (8.3" x 5.7")
Estimated Product Size is 21cm x 29cm (8.3" x 11.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print showcases a detailed section of "The Avignon Pieta" a masterpiece created by Enguerrand Quarton between 1450 and 1460. The original oil painting, measuring an impressive 163 x 218.5 cm, is housed in the Louvre Museum in Paris, France. Prior to the French Revolution, it resided in the church at Villeneuve-les-Avignon. In this particular detail, we witness a scene filled with profound sorrow and lamentation. At the center stands the Virgin Mary cradling her lifeless son Jesus Christ in her arms. Her face is etched with grief as tears stream down her cheeks, capturing the essence of motherly love and immense loss. To the left of Mary stands an unknown donor dressed as a canon, symbolizing his contribution to religious devotion. On the right side of Mary kneels Saint Madeleine (Mary Magdalene), known for her unwavering faith and repentance. Enguerrand Quarton's attention to detail is evident through his meticulous brushwork and use of vibrant colors that enhance each figure's emotional expression. The divine halo surrounding Jesus signifies his sacred nature even after death. This powerful image evokes empathy from viewers who are drawn into its narrative of mourning and spirituality. It serves as a testament to Quarton's artistic skill while reminding us of humanity's universal experience: grappling with grief amidst our deepest beliefs.
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