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Greetings Card : A Concert of Hector Berlioz (1803-69) in 1846 (engraving)
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A Concert of Hector Berlioz (1803-69) in 1846 (engraving)
XIR176097 A Concert of Hector Berlioz (1803-69) in 1846 (engraving) by Geiger, Andreas (1765-1856); Musee de l Opera, Paris, France; (add.info.: Un concert de Berlioz en 1846; ); Austrian, out of copyright
Media ID 12741828
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Audience Brass Conducting Conductor Double Bass Hammer Horror Modern Modernity Noise Orchestra Orchestral Outrage Percussion Shock Shocked Tuba Bass Drum
Greetings Card Large (A4)
Add a touch of classical elegance to your correspondence with our exquisite range of greeting cards from Media Storehouse. Featuring the enchanting image of "A Concert of Hector Berlioz (1803-69) in 1846" by Andreas Geiger, these cards transport you to the grandeur of a 19th-century musical performance. This beautiful engraving, captured from the Musee de l Opera in Paris, showcases the renowned composer Berlioz in his element, surrounded by an enthralled audience. Perfect for music lovers and art enthusiasts alike, these cards are a delightful way to express your thoughts and feelings. Let the timeless beauty of fine art elevate your greetings.
Create your own large greetings card. Size when folded is A4 (21x30cm or 8.3x11.7 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 21cm x 29.7cm (8.3" x 11.7")
Estimated Product Size is 42cm x 29.7cm (16.5" x 11.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This satirical engraving captures the chaotic scene of a concert by Hector Berlioz in 1846. Created by Andreas Geiger, this artwork depicts the composer's innovative and unconventional approach to music, which often shocked and outraged traditionalists. In this caricature, we see an orchestra filled with musicians playing various instruments including cannons, hammers, bass drums, tubas, brass instruments, and double basses. The audience is shown in a state of shock and horror as they witness this unmusical cacophony unfold before their eyes. Berlioz himself stands at the center of the chaos with his hand on his hips, conducting with a look of both pride and mischief on his face. His modernity in pushing boundaries is evident as he challenges conventional orchestral norms. The engraving cleverly portrays the clash between tradition and innovation within classical music during Berlioz's time. It highlights how his unique compositions challenged societal expectations while simultaneously captivating audiences who were open to embracing new musical experiences. This print serves as a reminder that true artistry often evokes strong emotions and reactions from its viewers. Berlioz's concert depicted here may have been met with outrage initially but ultimately contributed to shaping the future of classical music through its bold experimentation.
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