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Handbill issued by Dr. Case, the celebrated quack of 18th century London, England, who, Addison declared, made more money by his couplets than Dryden made by all his poetical works put together
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Handbill issued by Dr. Case, the celebrated quack of 18th century London, England, who, Addison declared, made more money by his couplets than Dryden made by all his poetical works put together
HANDBILL, 18th CENTURY.
Handbill issued by Dr. Case, the celebrated quack of 18th century London, England, who, Addison declared, made more money by his couplets than Dryden made by all his poetical works put together
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Media ID 8864417
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This 18th-century handbill takes us back to the bustling streets of London, England, where Dr. Case, a renowned quack doctor, captured the attention and wallets of many with his clever couplets. The esteemed writer Joseph Addison once declared that Dr. Case made more money through his rhyming verses than even the great poet Dryden did with all his literary masterpieces combined. As we examine this historical artifact closely, we are transported to an era when medical practices were often dubious and unregulated. Dr. Case's handbill reveals snippets of text promising miraculous cures for ailments ranging from common colds to mysterious maladies that plagued society at the time. The significance of this print lies not only in its depiction of a charismatic charlatan but also in its reflection of societal attitudes towards medicine during this period. It serves as a reminder that people were willing to place their trust and hard-earned money into the hands of individuals who claimed extraordinary healing powers. Through this image, we catch a glimpse into the world of 18th-century London – a city teeming with colorful characters like Dr. Case who sought fame and fortune by exploiting people's vulnerabilities and desires for better health. Let us marvel at this piece from Granger Art on Demand as it transports us back in time, reminding us how history is filled with fascinating tales waiting to be discovered within every brushstroke or printed word.
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