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The Third Term Trap. Cartoon by Thomas Nast, 1875, supporting President Ulysses S. Grants disclaimer of seeking a third term
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The Third Term Trap. Cartoon by Thomas Nast, 1875, supporting President Ulysses S. Grants disclaimer of seeking a third term
NAST: THIRD TERM, 1875.
The " Third Term" Trap. Cartoon by Thomas Nast, 1875, supporting President Ulysses S. Grants disclaimer of seeking a third term
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Media ID 7780821
1875 Capitol Elephant Grant Hiram Nast Plank Politics Republican Party Simpson Symbol Ulysses
The Third Term Trap
EDITORS COMMENTS
is a powerful political cartoon created by Thomas Nast in 1875, which serves as a strong support for President Ulysses S. Grant's disclaimer of seeking a third term. The image showcases an exterior view of the late American president's symbolic residence, the White House, with an elephant standing on its roof. This elephant represents the Republican Party, to which Grant belonged. Nast cleverly uses symbolism to convey his message. The elephant is seen balancing precariously on a plank labeled "Third Term" while two men named Simpson and Plank are shown desperately trying to hold it up. These characters represent individuals who were advocating for Grant's re-election despite his clear statement against pursuing another term. The Capitol building looms in the background, representing American politics as a whole. By placing this iconic structure behind the White House, Nast emphasizes that adherence to democratic principles should prevail over personal ambitions or party pressure. Through this artwork, Nast highlights President Grant's commitment to respecting established norms and avoiding potential abuses of power associated with prolonged presidential terms. It serves as both a reminder and warning about the dangers of disregarding constitutional limits. Overall, "The Third Term Trap" captures an important moment in American history when political figures grappled with questions of leadership and democracy. It stands as an enduring testament to Nast's artistic prowess and his ability to use visual imagery effectively in shaping public opinion during this era of intense political debate.
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