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Glass Place Mat : William II, Prince of Orange, and his Bride, Mary Stuart, 164
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William II, Prince of Orange, and his Bride, Mary Stuart, 164
Anthony van Dyck (1599-1641). Flemish painter. William II, Prince of Orange, and his Bride, Mary Stuart, 1641. Rijksmuseum. Amsterdam. Holland
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Media ID 14335122
© Thaliastock / Mary Evans
1641 Amsterdam Anthony Betrothed Bride Brooch Diamond Dyck Edging Flemish Fourteen Gift Henrietta Holland Jewel Jewellery Jewelry Lace Necklace Stuart
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 17.7cm x 25.4cm (7" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This stunning 17th-century painting by the renowned Flemish artist Anthony van Dyck captures the moment of betrothal between William II, Prince of Orange, and Mary Stuart. Painted in 1641, the artwork is now housed in the Rijksmuseum in Amsterdam, Holland. William II, a prominent figure in Dutch and British history, is depicted as a mature and confident young man, dressed in elegant clothing and wearing an ornate hat adorned with feathers. His bride, Mary Stuart, a Scottish princess and daughter of King James VI of Scotland and England, is shown as a graceful and elegant girl, dressed in a beautiful white gown with intricate lace edging and a diamond necklace. Mary is seen presenting a brooch to her future husband as a gift, symbolizing their commitment to each other. The brooch, which is also adorned with diamonds, is clutched in her hand, adding to the intimacy of the scene. The couple's faces are expressive and full of emotion, reflecting the significance of the moment. The interior of the room is richly decorated, with grand furnishings and ornate details, adding to the grandeur of the occasion. The painting is a testament to the opulence and grandeur of the European aristocracy during this period. The marriage between William II and Mary Stuart was significant as it strengthened the alliance between the Dutch and the British monarchies, and paved the way for a peaceful transfer of power when William became King of England in 1689. The painting remains a cherished piece of art and a reminder of the complex political and social relationships that shaped Europe during the 17th century.
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