Glass Place Mat : Phil May by Himself
Home Decor from Mary Evans Picture Library
Phil May by Himself
PHILIP WILLIAM MAY artist best known for his sketches of street life, street arabs, street traders and the like. Date: 1864 - 1903
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14097541
© Mary Evans Picture Library
1864 Arabs Best Phil Philip Sketches Traders
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 22.5cm x 25.4cm (8.9" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This evocative photograph captures the enigmatic and charismatic figure of Phil May (1864-1903), a British artist celebrated for his sketches of urban life, street arabs, and traders. May's distinctive artistic style, characterized by his bold lines and intricate details, brought the gritty reality of late 19th-century London streets to life. Born in London, May began his artistic career as an apprentice in a lithographic studio. However, he soon discovered his passion for sketching the city's vibrant street life. May's sketches were published in various magazines and newspapers, including Punch, which brought him widespread acclaim. May's works were not just limited to the streets of London; he also traveled extensively throughout Europe and the Middle East, capturing the essence of different cultures and landscapes. His sketches of street arabs and traders were particularly notable for their empathy and authenticity, offering a glimpse into the lives of the marginalized communities of the time. This photograph of May himself, taken around the turn of the 20th century, reveals a man who appears both introspective and engaged with the world around him. With a pipe clenched between his teeth and a thoughtful expression on his face, May seems to be lost in thought, perhaps contemplating his next subject or reflecting on the experiences that inspired his art. May's legacy as a master of urban sketching continues to inspire artists and historians alike, offering a window into a bygone era of London's rich cultural history.
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