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Glass Place Mat : Countryside Settlement

Countryside Settlement



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Countryside Settlement

An oil painting of a countryside path leading to a settlement opening, comprising of a building surrounded by an old stone wall, and a centrally placed, large tree. Date: circa 1923

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 32258654

© CLM Archive Collection / Mary Evans

Centrally Comprising Leading Opening Path Roger Settlement Surrounded 1923 Volume


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 25.4cm x 22.5cm (10" x 8.9")

Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Arts > Artists > F > Roger Fry

> Arts > Fine Art

> Arts > Literature > Magazines

> Mary Evans Prints Online > New Images July 2023


EDITORS COMMENTS
This exquisite oil painting, titled "Countryside Settlement," transports us to a serene and idyllic scene in rural England, circa 1923. The composition of the artwork masterfully leads the viewer's gaze down a winding, tree-lined path, which opens up to reveal a quaint, old-world settlement nestled among the rolling hills. At the heart of the settlement stands a venerable, stone building, its aged walls weathered by time and the elements. The structure's central placement and warm, inviting hue beckons us to imagine the lives of those who once called it home. A large, stately tree, its branches heavy with lush foliage, stands sentinel over the scene, its vibrant colours adding a splash of life to the otherwise muted palette of the countryside. The tree's grandeur and the building's solidity serve as a testament to the enduring beauty and resilience of nature and the passage of time. This work of art was published in the February 18, 1923, volume of a popular British magazine, likely as a colour plate. The painting's meticulous attention to detail and evocative use of colour make it a stunning addition to any collection, transporting us to a simpler, more pastoral time and place.

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