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Glass Place Mat : All Saints, Margaret Street, London - The Dining Hall
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All Saints, Margaret Street, London - The Dining Hall
All Saints, Margaret Street, London - The Dining Hall. A Grade I listed Anglo-Catholic church designed by the architect William Butterfield and built between 1850 and 1859 Date: circa 1910s
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32373484
© Mary Evans / Pharcide
Architect Austere Butterfield Dining Fitzrovia Margaret Saints Tables Anglo Catholic
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 17.7cm (10" x 7")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
All Saints, Margaret Street: A Glimpse into the Dining Hall of an Anglo-Catholic Masterpiece (circa 1910s) Step into the hallowed halls of All Saints, Margaret Street, a hidden gem nestled in the heart of London's Fitzrovia district. This Anglo-Catholic church, designed by the visionary architect William Butterfield between 1850 and 1859, is a testament to the rich history and intricate beauty of Victorian Gothic architecture. As we delve deeper into this spiritual sanctuary, we find ourselves in the dining hall, a space that once served as a hub of community and fellowship. The room's austere elegance is on full display, with its high, arched ceilings and intricately carved wooden tables and chairs. The warm, golden light filters in through the stained glass windows, casting a gentle glow over the space. Butterfield's masterful use of materials is evident in every detail. The red brick exterior gives way to the rich, warm tones of the interior, with its polished wood and vibrant stained glass. The dining hall is a testament to the architect's commitment to creating a space that is both functional and beautiful, a place where the faithful could come together to break bread and share in the communal spirit of their faith. The 1910s photograph by Pharcide captures the essence of this sacred space, offering us a glimpse into the past and a reminder of the enduring beauty and importance of All Saints, Margaret Street in the heart of London.
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