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Glass Place Mat : Catalogue illustration, carpet, embroidery, vase, etc
Home Decor from Mary Evans Picture Library
Catalogue illustration, carpet, embroidery, vase, etc
Catalogue illustration, carpet, embroidery, vase, chandelier, mirror. 38. Carpet made at the Imperial Factory, Hereke, Turkey, based on an ancient carpet in the museum of antiquities, Constantinople, donated by the Sultan. 39. Ancient embroidery on silk cloth, donated by the Sultan. 40. Ancient Japanese bronze vase surmounted with figures, with lacquer pedestal, donated by Marshal Fuad Pasha. 41. Candlestick from Saxony, decorated with flowers, donated by Tahsin Bey, First Secretary to the Sultan. 42. Mirror framed with enamel, mounted on twisted columns, with drawer in tortoiseshell, containing gold toilet accessories, donated by Ahmed Zulkifle Pasha, son-in-law of the Sultan. Date: circa 1890s
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Media ID 18952138
© Mary Evans Picture Library 2015
Abdul Arabic Bazaar Donated Families Fundraising Hamid Patronage Postwar Sultan Victims Wounded Ottoman
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 18.4cm (10" x 7.2")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This catalog illustration showcases a selection of exquisite donations to a post-war charity bazaar in the late 1890s, during the Ottoman Empire under Sultan Abdul Hamid II. The first item, a carpet (38), is a magnificent creation from the Imperial Factory at Hereke, Turkey. Based on an ancient design from the museum of antiquities in Constantinople, it was generously donated by the Sultan himself. The second offering (39) is an ancient embroidery on silk cloth, also donated by the Sultan, adding a touch of Eastern elegance to the collection. The third item (40) is an ancient Japanese bronze vase, adorned with intricate figures, and graciously donated by Marshal Fuad Pasha. The fourth donation (41) is a candlestick from Saxony, decorated with delicate flowers, and was kindly given by Tahsin Bey, the First Secretary to the Sultan. Lastly, the fifth item (42) is a mirror framed with enamel, mounted on twisted columns, and featuring a drawer in tortoiseshell, containing gold toilet accessories. This beautiful piece was a generous gift from Ahmed Zulkifle Pasha, the son-in-law of the Sultan. These ornate and intricately designed items were donated to aid wounded soldiers and their families, victims of the war, as part of the Ottoman Empire's patronage efforts during this time. The illustration, produced in the Chromolithograph technique, captures the essence of the Eastern and French influences that characterized the Ottoman Empire during this period. The catalog serves as a reminder of the generosity and cultural richness that marked this era in Turkish history.
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