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Glass Place Mat : Cartoon, On The Dizzy Brink (Disraeli and Britannia)
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Cartoon, On The Dizzy Brink (Disraeli and Britannia)
Cartoon, On The Dizzy Brink -- Benjamin Disraeli leads a very reluctant Britannia to the brink of war, by sending British ships to Constantinople, risking conflict with Russian forces. Date: 1878
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Media ID 23361682
© Mary Evans Picture Library
1878 Benjamin Cliff Comment Conservative Disraeli Edge Foreign Hands Minister Policy Prime Reference Relations Satirical Tory
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 18.7cm x 25.4cm (7.4" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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On The Dizzy Brink - A Satirical Comment on Disraeli's Foreign Policy and the Risk of War with Russia in 1878
EDITORS COMMENTS
This political cartoon, titled "On The Dizzy Brink," depicts a pivotal moment in the 1870s, during the height of Victorian Britain's foreign policy tensions. The cartoon, created in 1878, portrays Benjamin Disraeli, the Conservative Prime Minister, leading a reluctant Britannia towards the brink of war. Disraeli, with a determined expression, holds Britannia's hands, urging her to take a step forward towards the edge of the cliff. Britannia, symbolizing Britain, looks back in trepidation, with one foot already on the precipice. The British navy, represented by ships in the background, sails towards Constantinople, increasing the likelihood of conflict with Russian forces. The cartoon is a commentary on Disraeli's controversial decision to send British ships to the Bosphorus, which put Britain on a collision course with Russia. This move was a part of the Eastern Question, a complex web of political intrigue and foreign policy maneuvering that threatened to destabilize Europe. The cartoonist's intent is clear: to criticize Disraeli's risky foreign policy and the potential consequences of Britain's actions. The image serves as a reminder of the political tensions that characterized the late 19th century and the delicate balance of power that existed between European nations. This powerful satirical reference to Disraeli's tenure as Prime Minister offers a unique perspective on the political climate of the time. It highlights the importance of diplomacy and the potential consequences of rash decisions in international relations. The cartoon remains a fascinating historical artifact, shedding light on the complex political landscape of the Victorian era.
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