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Glass Place Mat : Lilac botanical study
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Lilac botanical study
Lilac botanical study.. Lithograph with pochoir (stencil) handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris, 1897
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Media ID 14211678
© Florilegius / Mary Evans
Andtheirapplicationtoornament Artnouveau Eugenegrasset Handcoloring Lilac Pochoir Stencil
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 16.1cm x 25.4cm (6.3" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This exquisite lilac botanical study is a stunning example of the Art Nouveau design movement and the intricate techniques of lithography and pochoir handcoloring. Created by renowned French botanical artist Eugène Grasset for his publication "Plants and Their Application to Ornament," this lithograph captures the delicate beauty of the lilac flower in remarkable detail. The lilac (Syringa vulgaris) is a beloved flowering shrub, known for its fragrant clusters of blossoms that bloom in late spring. In this botanical study, Grasset meticulously depicts every petal, vein, and stem with precise accuracy, showcasing the plant's intricate structure. The lithographic process involved drawing the image on a limestone plate, which was then treated with a series of chemicals to create an image that could be inked and printed. The pochoir technique, or stencil handcoloring, added an additional layer of artistry to the print. Stencils were cut for each color, and the image was carefully hand-painted using a fine brush. The result is a vibrant, richly colored print that brings the lilac to life. Grasset's "Plants and Their Application to Ornament" was published in Paris in 1897, and this lilac study is a testament to the artist's mastery of botanical illustration and his ability to incorporate natural forms into decorative designs. The Art Nouveau movement, which emphasized organic shapes and forms, was at its height during this time, and Grasset's work reflects the movement's emphasis on the beauty of nature and the importance of craftsmanship. This lilac botanical study is not only a beautiful work of art but also a historical artifact, providing a glimpse into the artistic and botanical interests of the late 19th century. Its intricate details and vibrant colors continue to captivate viewers and inspire appreciation for the natural world and the artistry of the past.
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