Glass Place Mat : George Robey
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George Robey
Sir George Robey (1869 1954), English music hall comedian and singer. Here dressed as Dame Trot, in the Panto-Land: Hipprodrome Leads. Date: 1922
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14131951
© Illustrated London News Ltd/Mary Evans
Comedian Dame Drag Entertainer Panto Pantomime Queens Robey Trot 1922 Artists Performing
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 22cm x 25.4cm (8.7" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This photograph captures the inimitable George Robey, a legendary English music hall comedian and singer, in his iconic Dame Trot persona from the 1922 production of "Panto-Land: Hippodrome Leads." A trailblazer in the world of entertainment, Robey's extraordinary talent as a performer left audiences in awe, and his ability to seamlessly transition between various characters was unparalleled. In this image, Robey dons the extravagant and elaborate costume of Dame Trot, a character that defied traditional gender norms and paved the way for future drag performances. The cow print dress, exaggerated bust and hips, and towering headdress are all hallmarks of the Dame Trot character, which Robey brought to life with his impeccable comedic timing and unforgettable wit. The photograph offers a glimpse into the rich history of pantomime and the evolution of gender roles on the stage. Robey's portrayal of Dame Trot challenged societal norms and paved the way for future performers to embrace the art of cross-dressing and queer representation in the world of entertainment. This photograph is a testament to the enduring legacy of George Robey and his groundbreaking contributions to the world of music hall and pantomime. It serves as a reminder of the power of performance to challenge conventions and bring joy to audiences, while also highlighting the importance of preserving the history of the arts and the trailblazing figures who shaped it.
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