Glass Place Mat : Songs I am boy bewitching 1822 Soft ground etching
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Songs I am boy bewitching 1822 Soft ground etching
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14052323
© Copyrighted
10 1 16 1785 1851 1822 256 Cm 7 7 8 Composed Country Designed Domestic Life Fashion Henry Thomas Alken Horses Humourous Fashion Hunting Imagery Derives Military Naval Popular Song Satires Scene Illustrating Scenes Shooting Single Line Soft Ground Etching Song Book Songs Town Vignette Scenes Bewitching
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 20.6cm (10" x 8.1")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print titled "Songs I am boy bewitching. . 1822 Soft ground etching" takes us back to the artistic brilliance of Henry Thomas Alken, a renowned British artist from London. Created in 1822 as part of a series of satires, this image showcases Alken's exceptional talent in both design and composition. The sheet features vignette scenes that beautifully illustrate various aspects of everyday life during that era. With a touch of humor and wit, Alken captures the essence of popular songs through his imagery. The single line drawings depict scenes ranging from hunting and shooting to horses and domestic life. Alken's expertise shines through as he effortlessly portrays fashion trends prevailing in both town and country settings. Additionally, military and naval elements add depth to the overall narrative presented within this artwork. Measuring at approximately 7 7/8 by 10 1/16 inches (20 x 25.6 cm), this soft ground etching is an exquisite example of Alken's mastery in printmaking techniques. It serves as a testament to his ability to bring songs to life visually, creating an immersive experience for viewers. As we admire this remarkable piece from the Liszt Collection, it becomes evident why Henry Thomas Alken remains one of Britain's most celebrated artists between the late eighteenth and early nineteenth centuries.
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