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Glass Place Mat : Two shepherds cows Elector Archbishop Cologne Jozef Klemens
Home Decor from Liszt Collection
Two shepherds cows Elector Archbishop Cologne Jozef Klemens
Two shepherds with cows, Elector and Archbishop of Cologne Jozef Klemens, Romeyn de Hooghe (attributed to), Netherlands, 1655 - 1667, paper, etching, h 91 mm × w 122 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19548077
© Artokoloro
1655 1667 Archbishop Cows Elector Romeyn De Hooghe Two Shepherds Attributed
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 19.5cm (10" x 7.7")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
In this print from the Liszt Collection, we are transported back in time to witness a pastoral scene of immense significance. Two shepherds stand proudly alongside their cows, while an imposing figure looms in the background. This figure is none other than Jozef Klemens, the Elector and Archbishop of Cologne. The composition exudes tranquility and harmony as the shepherds tend to their gentle bovine companions. The artist, Romeyn de Hooghe (attributed to), masterfully captures every minute detail with his skilled etching technique on paper. The dimensions of this artwork measure h 91 mm x w 122 mm, allowing us to appreciate its intricate beauty up close. Jozef Klemens' presence adds a layer of intrigue and historical significance to this pastoral idyll. As both an elector and archbishop, he held immense power during a tumultuous period in Netherlands history between 1655-1667. His inclusion in this artwork suggests that even amidst political turmoil, there was still room for moments of serenity and connection with nature. This print serves as a testament not only to the artistic prowess of Romeyn de Hooghe but also as a window into a bygone era where shepherds tended their flocks under the watchful eye of influential figures like Jozef Klemens. It invites us to reflect upon our own relationship with nature and reminds us that even those who hold great power can find solace in
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