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Glass Place Mat : Self-Portrait 1885 William Strang British 1859-1921

Self-Portrait 1885 William Strang British 1859-1921



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Self-Portrait 1885 William Strang British 1859-1921

Self-Portrait, 1885. William Strang (British, 1859-1921). Etching

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18475842

© Liszt Collection

1859 1921 1885 William Strang


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 15.7cm x 25.4cm (6.2" x 10")

Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This self-portrait, created in 1885 by the talented British artist William Strang, offers a glimpse into the introspective world of the renowned etcher. The print showcases Strang's remarkable ability to capture his own likeness with striking detail and emotional depth. In this particular self-portrait, Strang presents himself as a contemplative figure, staring directly at the viewer with an intense gaze. His piercing eyes seem to hold secrets untold, inviting us to delve deeper into his inner thoughts and emotions. The meticulous etching technique employed by Strang adds texture and dimensionality to every line and shadow on his face, further enhancing the sense of realism. The choice of black and white tones in this print creates a timeless quality that transcends its creation date. It is as if we are transported back in time to witness this moment frozen forever on paper. Through this self-portrait, we catch a glimpse of not only Strang's physical appearance but also his artistic prowess and creative spirit. As part of the Liszt Collection, this print serves as a testament to William Strang's enduring legacy within the art world. It reminds us of his contribution to British art during the late 19th century and early 20th century when he was known for pushing boundaries with his innovative approach to etching.

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