Glass Place Mat : Portrait of a Woman, Probably Mrs. Price of Rugby Signed and dated, lower right
Home Decor from Liszt Collection
Portrait of a Woman, Probably Mrs. Price of Rugby Signed and dated, lower right
Portrait of a Woman, Probably Mrs. Price of Rugby Signed and dated, lower right: " J Linell [?] 1835", John Linnell, 1792-1882, British
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12648998
© Quint Lox Limited
1792 1835 1882 Brushstrokes Dated John John Linnell Lace Linnell Lower Oil On Panel Price Probably Rugby Signed United Kingdom
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 20.6cm x 25.4cm (8.1" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This portrait, titled "Portrait of a Woman, Probably Mrs. Price of Rugby" is a stunning example of the talent and skill possessed by British artist John Linnell. Painted in 1835, this oil on panel artwork showcases Linnell's mastery in capturing the essence and beauty of his subjects. The woman depicted exudes an air of elegance and grace, her features delicately rendered with meticulous brushstrokes. Her eyes gaze directly at the viewer, inviting us to explore the depths of her personality and story. Adorned with a lace collar and bow that add a touch of refinement to her attire, she represents the fashion trends prevalent during that era. Linnell's attention to detail is evident in every aspect of this painting - from the intricate lacework to the subtle play of light on her face. The warm tones used for her complexion create a sense of warmth and vitality. While it remains uncertain whether this woman is indeed Mrs. Price from Rugby as suggested by its title, what cannot be denied is Linnell's ability to capture not only physical likeness but also inner character through his artistry. As we admire this remarkable piece from the Liszt Collection, we are transported back in time to early 19th-century England – a testament to both Linnell's artistic prowess and his contribution to British portraiture.
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