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Glass Place Mat : Four Evangelists ca 1653 Engraving third state

Four Evangelists ca 1653 Engraving third state



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Liszt Collection

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Four Evangelists ca 1653 Engraving third state

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14029834

© Copyrighted

101 Cm 1623–1678 1653 6 3 8 Four Evangelists Petitjean Wickert Reims Robert Nanteuil Third State


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 17.1cm x 25.4cm (6.7" x 10")

Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This print showcases the exquisite engraving titled "Four Evangelists ca 1653 Engraving third state" by Artokoloro. The artwork, created by the talented French artist Robert Nanteuil in Reims between 1623 and 1678, captures the essence of religious devotion with its depiction of the four evangelists. Measuring at an impressive size of 6 3/8 x 162 x 101 cm, this print truly commands attention and invites viewers to delve into its intricate details. The delicate lines and masterful shading bring to life each figure: Matthew, Mark, Luke, and John. Their expressions convey a sense of reverence as they hold their respective symbols - a winged man for Matthew, a lion for Mark, an ox for Luke, and an eagle for John. The collaboration between Nanteuil and Eustache Le Sueur (1616-1655) is evident in this remarkable piece. Le Sueur's original design serves as the foundation upon which Nanteuil skillfully engraved his interpretation. This harmonious blend of artistic styles results in a composition that exudes both grace and power. As you gaze upon this stunning print from the Liszt Collection, allow yourself to be transported back to the mid-17th century when art was not only visually striking but also deeply rooted in spirituality. Let it serve as a reminder of the enduring influence that religious themes have had on artists throughout history.

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