Glass Place Mat : Cartouche with lobe ornament, above and below a mask with gaping mouth, Michiel Mosijn
Home Decor from Liszt Collection
Cartouche with lobe ornament, above and below a mask with gaping mouth, Michiel Mosijn
Cartouche with lobe ornament, above and below a mask with gaping mouth, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12745831
© Quint Lox Limited
1640 1655 Cartouche Clement De Jonghe Gerbrand Van Den Eeckhout Lobe Michiel Mosijn Ornament
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 20.1cm x 25.4cm (7.9" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
In this print titled "Cartouche with lobe ornament, above and below a mask with gaping mouth" artist Michiel Mosijn takes us on a journey through intricate details and mesmerizing symbolism. The print, created between 1640 and 1655, showcases the collaborative efforts of Gerbrand van den Eeckhout and Clement de Jonghe. At first glance, our eyes are drawn to the central focus of the cartouche - an ornate frame that exudes elegance. Adorned with delicate lobe ornaments on both ends, it serves as a portal into another world. Above and below the cartouche rests a mysterious mask with its mouth wide open in an enigmatic expression. The craftsmanship displayed in this artwork is truly remarkable; every line meticulously etched by Quint Lox brings life to each element. As we delve deeper into the image, we can't help but wonder about its meaning. What secrets lie behind that gaping mouth? Is it an invitation or a warning? This print from Liszt Collection captures not only the beauty of Mosijn's work but also invites contemplation about human emotions and hidden depths within ourselves. It serves as a reminder that art has the power to evoke curiosity and provoke thought long after it was created.
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