Glass Place Mat > Arts > Artists > D > Narcisse Virgile Diaz de la Pena
Glass Place Mat : Bath bath naked young woman sitting canvas waterfront
Home Decor from Liszt Collection
Bath bath naked young woman sitting canvas waterfront
After the Bath, After the bath. A naked young woman is sitting on a canvas on the waterfront, behind her an old servant. Narcisse Virgile Diaz de la Pena, 1860 - 1876, panel, oil paint (paint), h 24.5 cm × w 18.5 cm d 7.7 cm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19555167
© Artokoloro
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 18.5cm x 25.4cm (7.3" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
In this print from the Liszt Collection, we are transported back in time to witness a tender and intimate moment. Titled "After the Bath" it beautifully captures a naked young woman sitting on a canvas by the waterfront. The artist behind this masterpiece is Narcisse Virgile Diaz de la Pena, who created this piece between 1860 and 1876. The image exudes an aura of vulnerability as the young woman sits gracefully amidst her surroundings. Behind her stands an old servant, adding depth and context to the scene. Diaz de la Pena's masterful use of oil paint brings out every intricate detail, making it feel almost lifelike. The composition is strikingly balanced with its careful placement of elements against the serene backdrop of water. It evokes a sense of tranquility and contemplation, inviting viewers to ponder upon themes such as beauty, femininity, and societal dynamics. This print offers us a glimpse into another era while reminding us that certain emotions transcend time. It serves as a testament to Diaz de la Pena's artistic prowess in capturing human emotion through his brushstrokes
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