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Glass Place Mat : Vue de la facade du pronaos du Temple de Dakkeh (Pselcis), April 5, 1850
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Vue de la facade du pronaos du Temple de Dakkeh (Pselcis), April 5, 1850
Heritage Images features heritage image collections
Media ID 20134453
© Heritage Art/Heritage Images
Ancient Egypt Archaeological Camp Camp Maxime Du Du Camp Du Camp Maxime Maxime Maxime Du Maxime Du Camp Pylon Pylons Salted Paper Print Ancient Egyptian Mizraim
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 19.1cm (10" x 7.5")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This photo print, titled "Vue de la facade du pronaos du Temple de Dakkeh (Pselcis), April 5,1850" takes us back to the ancient wonders of Egypt. Captured by Maxime du Camp in the 19th century, this archaeological masterpiece showcases the stunning architecture of the Temple of Dakka. The image transports us to a time when Egypt's rich history was being uncovered. The grandeur of the temple is evident as we gaze upon its majestic facade. The intricate details of each pillar and pylon are beautifully preserved in this salted paper print. As we explore every corner of this photograph, we can almost feel ourselves standing within the temple grounds. The serene landscape surrounding it adds an ethereal touch to the scene. It is a testament to both Egyptian craftsmanship and Maxime du Camp's skillful eye for capturing historical beauty. This photograph not only serves as a visual delight but also acts as a window into our past. It reminds us of Egypt's religious heritage and its significance in shaping human civilization. Preserved within the Metropolitan Museum of Art, this piece stands as a timeless tribute to both Maxime du Camp's artistic prowess and Egypt's enduring legacy.
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