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Glass Place Mat : Tobadzischini-Navaho, c1904. Creator: Edward Sheriff Curtis
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Tobadzischini-Navaho, c1904. Creator: Edward Sheriff Curtis
Tobadzischini-Navaho, c1904. Navajo man in ceremonial dress as Tobadzischini, Yebichai war god
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Media ID 35136707
© Heritage Art/Heritage Images
Anthropology Belief Body Paint Ceremonial Ceremony Creation Myth Curtis Edward Sheriff Curtis Edwards Dine Edward Sheriff Curtis Edwards Curtis Ethnography Ethnology First Nation First Nations God Of War Legend Legendary Naabeeho Navaho Navajo North America North American Sepia Tribal Tribal Culture Tribe
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 20.8cm x 25.4cm (8.2" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This striking full-length portrait captures Tobadzischini, a Navajo man dressed in ceremonial attire representing Yebichai, the Navajo war god, Tobadzischini-Navaho, c1904. The image, taken by renowned ethnographer and photographer Edward Sheriff Curtis, showcases the intricate details of the Navajo's traditional clothing and body paint. The Navajo people, also known as the Dine, have a rich cultural heritage rooted in their creation myths and religious beliefs. Yebichai, the god of war, is an essential deity in Navajo mythology, and the Tobadzischini ceremony is a significant rite held to honor him. Edward Sheriff Curtis, an American anthropologist and photographer, dedicated his career to documenting the cultures and traditions of North America's indigenous peoples. This photograph, taken in the early 1900s, is an essential contribution to the ethnographic record of the Navajo people and their traditions. The sepia tone adds a timeless quality to the image, transporting us back to a bygone era. The man in the portrait stands proudly, adorned in the vibrant colors and patterns of his ceremonial dress. His body is painted with intricate designs, symbolizing his connection to the land, the people, and the gods. This portrait is not only a testament to the Navajo's unique fashion and artistic traditions but also a reminder of the importance of preserving indigenous cultures and their rich histories.
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