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Glass Place Mat : Self Portrait in a Straw Hat, c1782, (1912). Artist: Elisabeth Louise Vigee-LeBrun
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Self Portrait in a Straw Hat, c1782, (1912). Artist: Elisabeth Louise Vigee-LeBrun
Self Portrait in a Straw Hat, c1782, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)
Heritage Images features heritage image collections
Media ID 14907403
© The Print Collector / Heritage-Images
Elisabeth Elisabeth Louise Elisabeth Louise Vigee Elisabeth Louise Vigee Lebrun Elizabeth Elizabeth Louise Elizabeth Louise Vigee Lebrun Feather Feathers Le Brun Paint Palette Straw Hat Vigee Lebrun Print Collector2
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 18.5cm x 25.4cm (7.3" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This self-portrait by Elisabeth Louise Vigee-LeBrun, titled "Self Portrait in a Straw Hat" transports us back to the elegance and charm of 18th-century France. The artist herself is the subject of this painting, showcasing her remarkable talent as both a painter and a fashion icon. Vigee-LeBrun's mastery of color is evident in every brushstroke, as she delicately captures the vibrant hues of her dress and palette. Her choice of a straw hat adorned with feathers adds an air of sophistication to her ensemble, perfectly complementing her graceful posture. As we gaze into Vigee-LeBrun's eyes, we are drawn into the world of an accomplished female artist during a time when such recognition was rare. Her occupation as a painter defied societal norms and paved the way for future generations of women artists. The print itself serves as a testament to Vigee-LeBrun's enduring legacy. Published in 1912 by Cassell and Company, it showcases not only her artistic brilliance but also Gilbert Chesterton's introduction that further highlights her significance within art history. Through this print collector's edition, we can appreciate Vigee-LeBrun's contribution to portraiture while celebrating the achievements of women in art. It reminds us that creativity knows no boundaries – whether it be through paint or pen – and encourages us to embrace our own passions just as she did centuries ago.
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