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Glass Place Mat : Frontispiece for "Les Fleurs du Mal", 1857. Creator: Felix Bracquemond
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Frontispiece for "Les Fleurs du Mal", 1857. Creator: Felix Bracquemond
Frontispiece for " Les Fleurs du Mal", 1857. [Frontispiece for The Flowers of Evil]
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Media ID 20637628
© Heritage Art/Heritage Images
Baudelaire Baudelaire Charles Baudelaire Charles Pierre Bracquemond Bracquemond Felix Charles Baudelaire Charles Pierre Charles Pierre Baudelaire Drypoint Evil Felix Félix Bracquemond Flix Bracquemond Frontispiece Les Fleurs Du Mal Second State Of Two Skeleton Nettle Nettles
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 16.4cm x 25.4cm (6.5" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print, titled "Frontispiece for 'Les Fleurs du Mal', 1857" is a remarkable creation by Felix Bracquemond. The artwork serves as the frontispiece for Charles Baudelaire's renowned collection of poetry, "Les Fleurs du Mal" (The Flowers of Evil). Bracquemond's etching and drypoint technique beautifully captures the essence of Baudelaire's dark and introspective work. In this haunting image, we are transported to a world where nature intertwines with death. A skeleton lies amidst a bed of nettles, symbolizing the fragility and transience of life. The intricate details in the plants showcase Bracquemond's mastery in capturing botanical elements. The print exudes an air of melancholy that perfectly complements Baudelaire's poetic exploration of human emotions and desires. It invites us to delve into the depths of our own souls while contemplating themes such as love, beauty, sin, and mortality. Displayed at The Metropolitan Museum of Art, this piece stands as a testament to both Bracquemond's artistic prowess and Baudelaire's enduring literary legacy. It serves as a visual representation of their collaboration in bringing forth profound ideas through different art forms. As we gaze upon this evocative frontispiece, we are reminded that art has no boundaries; it transcends time and connects us to universal human experiences.
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