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Glass Place Mat : The Bathos, 18th century. Artist: Thomas Clerk

The Bathos, 18th century. Artist: Thomas Clerk



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The Bathos, 18th century. Artist: Thomas Clerk

The Bathos, 18th century. Time expiring, collapsed against a broken column, with the blade of his scythe snapped and his hour glass smashed, blowing out smoke from his broken pipe. Next to him is a sign for The Worlds End and the ground is littered with various broken objects

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Media ID 14947627

© The Print Collector / Heritage-Images

Bored Chained Clerk Court Defence Feeling Hogarth Laurel Wreath Law Court Listening Print Collector10 Spear Speech W Hogarth William Hogarth Worried Worry


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 25.4cm x 21.7cm (10" x 8.5")

Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Arts > Artists > E > Thomas Ender

> Arts > Artists > H > William Hogarth

> Arts > Artists > R > Roman Roman

> Arts > Artists > W > William White

> Arts > Artists > William Hogarth

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Italy > Lazio > Rome

> Europe > Italy > Posters

> Europe > United Kingdom > England > London > Art > William Hogarth


The Bathos - A Symbolic Reflection of the 18th Century

EDITORS COMMENTS
. This print titled "The Bathos" by Thomas Clerk, with artistic guidance from William Hogarth, offers a profound glimpse into the essence of the 18th century. Depicting Time on his deathbed, we witness a poignant representation of decay and mortality. The broken column symbolizes the collapse of traditional values, while the shattered hourglass and snapped scythe reflect time's inevitable end. Amidst this somber scene, smoke billows from Time's broken pipe as he rests next to a sign that reads "The Worlds End" suggesting an existential crisis prevalent in society at that time. The ground is strewn with various fragmented objects, representing shattered dreams and lost hopes. Intriguingly, within this chaotic setting stands a female figure adorned with a laurel wreath—a symbol often associated with victory or achievement. Is she listening intently to Time's final words? Or does her presence represent hope amidst despair? As we delve deeper into this monochrome portrayal, it becomes evident that religion plays a significant role. With references to Rome and Christianity intertwined throughout the image—such as chained saints and worried soldiers clutching weapons—the artwork explores themes of faith and spiritual contemplation against the backdrop of war-torn Italy. Through its meticulous composition and attention to detail, "The Bathos" invites viewers to ponder upon societal concerns such as boredom in courtrooms or defenselessness in times of conflict. It

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