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Glass Place Mat : A bacchante, a garland on her head, and playing cymbals, set against a black backgrou
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A bacchante, a garland on her head, and playing cymbals, set against a black backgrou
A bacchante, a garland on her head, and playing cymbals, set against a black background inside a rectangular frame, 1795-1820. [Baccante dell Ercolano]
Heritage Images features heritage image collections
Media ID 20549431
© Heritage Art/Heritage Images
Agapito Agapito Franzetti Ancient City Bacchante Cymbal Cymbals Cymbals Player Franzetti Franzetti Agapito Garland Herculaneum Maenad Wall Painting Ancient Roman Cunego Greek Mythology Roman Mythology
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 19cm x 25.4cm (7.5" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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> Lazio
> Rome
EDITORS COMMENTS
This print transports us back to ancient Rome, where we encounter a mesmerizing bacchante. With a delicate garland adorning her head and cymbals in hand, she exudes an air of enchantment against the dark backdrop within a rectangular frame. Created between 1795-1820 by Aloysio Cunego, this piece titled "Baccante dell Ercolano" showcases the artist's mastery of engraving. The bacchante, also known as a maenad, embodies the spirit of Greek mythology and Roman culture. Her full-length figure is beautifully captured amidst a sea of flowers and plants that symbolize nature's connection to music and celebration. As she plays her cymbals with grace and fervor, one can almost hear the rhythmic melodies echoing through time. Displayed at The Metropolitan Museum of Art (The Met), this artwork speaks volumes about Italy's rich artistic heritage during the 18th century. Agapito Franzetti's collaboration with Aloysio Cunego brings forth an exquisite fusion of classical themes and contemporary aesthetics. In this monochromatic composition, every detail comes alive - from the intricate engravings on the musical instruments to the flowing drapery that envelops our bacchante. It serves as a reminder that art has no boundaries when it comes to transcending time and space. As we gaze upon this remarkable image, we are transported into a world where myth intertwines with reality; where
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