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Glass Place Mat : BISHOP AND GENTLEMAN. Woodcut from the Latin editon of The Dance of Death, printed in Paris

BISHOP AND GENTLEMAN. Woodcut from the Latin editon of The Dance of Death, printed in Paris



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BISHOP AND GENTLEMAN. Woodcut from the Latin editon of The Dance of Death, printed in Paris

BISHOP AND GENTLEMAN.
Woodcut from the Latin editon of The Dance of Death, printed in Paris, France, in 1490 by Guyot Marchand for the publisher Geoffroi de Marnef

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12410594

1490 Allegory Bishop Christianity Dance Of Death Death Grim Reaper Guyot Marchand Nobleman Personification Plague Victim Geoffroy


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 25.4cm x 16.9cm (10" x 6.7")

Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This woodcut print titled "BISHOP AND GENTLEMAN" is a remarkable piece from the Latin edition of The Dance of Death, printed in Paris, France in 1490. Created by Guyot Marchand for publisher Geoffroi de Marnef, this artwork beautifully captures the essence of medieval symbolism and allegory. In this scene, we witness an intriguing encounter between a bishop and a nobleman. Both figures are depicted with meticulous detail and convey distinct emotions. The bishop stands tall and regal, adorned in his ecclesiastical robes, while the gentleman exudes an air of nobility through his elegant attire. The underlying theme of mortality is evident as they both face the personification of death himself - the grim reaper. This representation serves as a reminder that death does not discriminate based on social status or religious affiliation. Set against a backdrop reminiscent of Renaissance architecture, this woodcut transports us back to a time when plague ravaged Europe and mortality was ever-present. It invites contemplation on life's transience and prompts reflection on our own mortality. With its intricate craftsmanship and historical significance, this woodcut print offers viewers an opportunity to delve into medieval artistry while contemplating profound themes such as faith, mortality, and the dance between life and death itself.

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