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Glass Place Mat : HENRY WRIOTHESLEY (1573-1624). 3rd Earl of Southampton in the Tower of London. Oil painting by John de Critz, 1603
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HENRY WRIOTHESLEY (1573-1624). 3rd Earl of Southampton in the Tower of London. Oil painting by John de Critz, 1603
HENRY WRIOTHESLEY
(1573-1624). 3rd Earl of Southampton in the Tower of London. Oil painting by John de Critz, 1603
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 6195911
1500s 16th Class Earl Encbr Feline Henri Noble Man Southampton Tower Tower Of London Wriothesley
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 21.2cm x 25.4cm (8.3" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This oil painting by John de Critz, created in 1603, depicts the nobleman Henry Wriothesley, the 3rd Earl of Southampton, during his time in the Tower of London. The rich colors and intricate details bring to life this significant historical figure from the 16th century. Henry Wriothesley's piercing gaze reflects both strength and resilience as he stands within the confines of the tower walls. His regal attire and distinguished beard further emphasize his status as a prominent member of English society during the Renaissance period. What adds an unexpected touch to this portrait is a feline companion perched on a nearby ledge. This playful inclusion showcases not only Wriothesley's love for animals but also highlights his softer side amidst challenging circumstances. The artist's skillful brushstrokes capture every nuance of expression on Wriothesley's face, conveying both pride and contemplation. This masterpiece serves as a testament to de Critz's talent in capturing not just physical likeness but also inner emotions. As we admire this fine art piece today, it offers us a glimpse into history and allows us to connect with one man's journey through adversity. It reminds us that even within confinement, there can be moments of beauty and companionship that transcend time itself.
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