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Glass Place Mat : CRUIKSHANK: UMBRELLAS. St. Swithins Chapel
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CRUIKSHANK: UMBRELLAS. St. Swithins Chapel
CRUIKSHANK: UMBRELLAS.
St. Swithins Chapel. Cartoon by George Cruikshank (1792-1878) parodying the English predilection for umbrellas
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12234334
Church Of England Congregation Cruikshank George Minister Parody Podium Preach Preacher Umbrella
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 16.9cm (10" x 6.7")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
The 19th-century cartoon by George Cruikshank titled "CRUIKSHANK: UMBRELLAS. St. Swithins Chapel" is a humorous parody of the English obsession with umbrellas. In this satirical artwork, Cruikshank cleverly depicts a crowded congregation inside St. Swithins Chapel, all holding open umbrellas as if they were attending an outdoor event rather than being sheltered within the church walls. The cartoon captures the essence of British culture at the time, where umbrellas became synonymous with protection against not only rain but also sun and even social interactions. The exaggerated scene shows people huddled together under their colorful canopies, creating a comical spectacle that challenges traditional religious customs. Atop the podium stands a minister who valiantly attempts to preach amidst the sea of umbrellas, his voice barely audible over the rustling sound they make when opening and closing. The juxtaposition between his serious demeanor and the absurdity surrounding him adds to the overall humor conveyed in this artwork. Cruikshank's keen observation and wit shine through in this print, offering viewers a lighthearted critique on societal trends while simultaneously showcasing his artistic talent for capturing human behavior in amusing detail. This print serves as both an entertaining historical artifact and a reminder that satire has long been used as a tool to reflect upon cultural idiosyncrasies.
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