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Glass Place Mat : Payment of Taxes, c. 1620 (oil on canvas)
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Payment of Taxes, c. 1620 (oil on canvas)
LVP127602 Payment of Taxes, c.1620 (oil on canvas) by Tour, Georges de la (1593-1652); 99x152 cm; Lviv State Picture Gallery, Ukraine; eLviv Gallery of Art; French, out of copyright
Media ID 22788770
© Lviv Gallery of Art / Bridgeman Images
Candlelight Chiaroscuro Counting Tax Collector
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 16.5cm (10" x 6.5")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
The captivating painting "Payment of Taxes, c. 1620" by Georges de la Tour transports us back to a time when candlelight illuminated the scenes of everyday life. In this mesmerizing oil on canvas masterpiece, we witness a tax collector diligently counting money in chiaroscuro lighting. The composition is expertly crafted, drawing our attention to the central figure engrossed in his task. The warm glow of the candle casts dramatic shadows across his face and hands, emphasizing his concentration and dedication to duty. De la Tour's meticulous attention to detail brings each element of the scene to life - from the intricate folds of clothing to the gleaming coins scattered on the table. This evocative artwork not only showcases de la Tour's technical prowess but also offers insight into societal norms and obligations during that era. It serves as a reminder that taxes have been an integral part of civilization for centuries, with individuals fulfilling their financial responsibilities even under dimly lit conditions. Now housed at Lviv State Picture Gallery in Ukraine, this print captures all the nuances and subtleties originally envisioned by de la Tour himself. As we gaze upon this remarkable piece, we are transported back in time and invited to contemplate both its artistic brilliance and historical significance.
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