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Glass Place Mat : Ile Ste. Croix, the earliest French Settlement in Acadia, 1604, from Voyages
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Ile Ste. Croix, the earliest French Settlement in Acadia, 1604, from Voyages
XJF884290 Ile Ste. Croix, the earliest French Settlement in Acadia, 1604, from Voyages by Samuel de Champlain (c.1580-1635), 1613 (engraving) by French School, (17th century); Private Collection; French, out of copyright
Media ID 12942815
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Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 19cm (10" x 7.5")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print takes us back in time to the early French settlement of Ile Ste. Croix in Acadia, dating all the way back to 1604. The image is a reproduction from Samuel de Champlain's renowned book "Voyages" published in 1613, and showcases an engraving created by an anonymous artist from the 17th century. The scene depicted transports us to this historic moment, allowing us to witness the beginnings of French colonization in Acadia. The settlement on Ile Ste. Croix comes alive through intricate details and careful craftsmanship captured by the talented French School artist. As we gaze upon this print, we can almost feel ourselves stepping onto that distant island and immersing ourselves in its rich history. We imagine what life must have been like for those early settlers as they established their presence amidst untamed wilderness. This print serves as a window into our past, reminding us of the courage and determination it took for these pioneers to forge new paths across uncharted territories. It invites us to reflect on our own roots and appreciate how far we have come since then. With its timeless beauty and historical significance, this artwork truly belongs among private collections that value preserving cultural heritage for generations to come.
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