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Glass Place Mat : Giovanni Battista Cipriani, 1789 (engraving)
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Giovanni Battista Cipriani, 1789 (engraving)
XJF380234 Giovanni Battista Cipriani, 1789 (engraving) by English School, (18th century); Private Collection; (add.info.: Giovanni Battista Cipriani (1727-85) Italian painter and engraver; designed the ceilings for the royal academy rooms at Somerset House; ); English, out of copyright
Media ID 12870284
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Ponytail Royal Academician Pony Tail Regency
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 19.3cm x 25.4cm (7.6" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print showcases the renowned Italian painter and engraver, Giovanni Battista Cipriani. Created in 1789 by an anonymous English School artist from the 18th century, this engraving is a testament to Cipriani's artistic legacy. The portrait captures his dignified presence with a head and shoulders view, framed within an elegant oval shape. Cipriani was celebrated for his exceptional talent in designing ceilings for the royal academy rooms at Somerset House. His contributions to the arts during the Georgian era left an indelible mark on British culture. In this image, he exudes confidence and sophistication befitting of a Royal Academician. The intricately detailed hairstyle worn by Cipriani reflects the fashion trends of that time period. With his hair styled into a ponytail, he exemplifies the refined elegance associated with Regency-era aesthetics. Displayed against a plain background, this print allows viewers to focus solely on Cipriani's striking profile. It serves as a reminder of his significant contributions to art history while also showcasing the skillful craftsmanship of both Cipriani himself and the anonymous engraver who immortalized him through their work.
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