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Glass Place Mat : St. Peter Distributing the Common Goods of the Church, and the Death of Ananias: detail of faces
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St. Peter Distributing the Common Goods of the Church, and the Death of Ananias: detail of faces
XIR428042 St. Peter Distributing the Common Goods of the Church, and the Death of Ananias: detail of faces, including St. Peter, c.1427 (fresco) by Masaccio, Tommaso (1401-28); Brancacci Chapel, Santa Maria del Carmine, Florence, Italy; (add.info.: see also 57194, 63321 & 63323; ); Italian, out of copyright
Media ID 12879486
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Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 18.6cm (10" x 7.3")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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> Tommaso Masaccio
EDITORS COMMENTS
This print captures a mesmerizing detail of faces in the fresco painting "St. Peter Distributing the Common Goods of the Church, and the Death of Ananias" by renowned Italian artist Masaccio. Created around 1427, this masterpiece can be found in the Brancacci Chapel at Santa Maria del Carmine in Florence, Italy. In this particular section of the artwork, our attention is drawn to St. Peter himself as he distributes the common goods of the church. His face exudes wisdom and compassion, reflecting his role as one of Christianity's most revered figures. The intricate details captured in this print allow us to appreciate every nuance and expression on St. Peter's visage. The composition also includes other faces that contribute to the narrative unfolding within this scene. Each individual depicted showcases a unique emotion - from awe and reverence to disbelief or even skepticism - adding depth and realism to Masaccio's portrayal. Through this photograph, we are transported back in time to witness an important moment in Christian history come alive before our eyes. The skillful brushwork and masterful use of light and shadow by Masaccio are beautifully preserved here, inviting us to delve deeper into religious themes while appreciating artistry at its finest.
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