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Glass Place Mat : Manufacture of Sugar at Katipo - Making the panellas or pots to contain it, 1859
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Manufacture of Sugar at Katipo - Making the panellas or pots to contain it, 1859
XCF437984 Manufacture of Sugar at Katipo - Making the panellas or pots to contain it, 1859 (oil on canvas) by Baines, Thomas (1820-75); Private Collection; (add.info.: The inscription on the resverse of the canvas reads; " Manufacture of Sugar at Katip, 15 or 20 miles from Tete, cutting lengths of cane and crushing it in mill, boiling and chrystallisation, July 26, 1859. T. Bains Tete August 6 1859" ; This painting was made while Baines was accompanying Dr David Livingstone (1813-1873) on an exploratory expedition along the Zambezi river; Tete is on the Zambezi in modern day Mozambique; ); English, out of copyright
Media ID 12880930
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Container Explore Making Production Thatched Huts
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 17.4cm (10" x 6.9")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This photo print, titled "Manufacture of Sugar at Katipo - Making the panellas or pots to contain it, 1859" takes us back in time to witness an important aspect of African daily life. Painted by Thomas Baines in oil on canvas, this artwork showcases the traditional process of sugar production in a village called Katipo. The scene depicts African women engaged in the meticulous craft of creating panellas or pots used for containing sugar. Surrounding them are charming thatched huts and other rustic buildings that make up the village's landscape. The painting offers a glimpse into the exploration and discovery era as Baines accompanied Dr David Livingstone on an expedition along the Zambezi river. The inscription on the reverse side of the canvas provides valuable information about this particular moment captured by Baines. It reveals that these skilled women were cutting lengths of cane and crushing it in a mill before boiling and crystallizing it to produce sugar. The date mentioned is July 26,1859, when Tete was located approximately 15-20 miles from Katipo. Through this artwork, we can appreciate not only the beauty but also gain insight into historical cultural practices. This image transports us to a different time and place where traditional methods were employed for everyday necessities like sugar production. It serves as a reminder of Africa's rich heritage and its contribution to global trade and industry throughout history.
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