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Glass Place Mat : Navigatio in Brasiliam Americae, Immolation of a Barbarian (page 525)
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Navigatio in Brasiliam Americae, Immolation of a Barbarian (page 525)
XIR902335 " Navigatio in Brasiliam Americae", Immolation of a Barbarian (page 525), 1563 (colour engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes, France; (add.info.: " Navigatio in Brasiliam Americae". Immolation d un barbare (page 525)); Flemish, out of copyright
Media ID 12946060
© www.bridgemanimages.com
American Indians Barbarian Barbaric Bow And Arrow Cauldron Chopping Club Cooking Pot Cutting Discovering Documenting Feather Feather Headdress Fumes Immolation Native Americans New World Plumage Plume Quiver Volume
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 21.4cm (10" x 8.4")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
The captivating print titled "Navigatio in Brasiliam Americae, Immolation of a Barbarian" takes us back to the 16th century, offering a glimpse into the early encounters between European explorers and Native Americans. Created by Flemish artist Theodore de Bry in 1563, this color engraving vividly depicts a scene of cultural clash and violence. In the foreground, we witness an unsettling ritual: a native barbarian is being immolated amidst billowing smoke and fumes. His feather headdress stands out against the chaos as his plume dances with the wind. The act of burning serves as both punishment and spectacle, highlighting the brutality that often accompanied colonialism. Surrounding this central figure are men and women from both worlds - naked American Indians alongside Europeans clad in armor. Armed with shields, clubs, bows and arrows, they represent opposing forces locked in conflict. A cauldron simmers nearby; perhaps it symbolizes not only cooking but also the simmering tensions between these two cultures. This illustration captures an important moment in history when Europeans were discovering and documenting new lands while imposing their dominance on indigenous peoples. It raises questions about power dynamics, cultural assimilation, and human rights. As we gaze upon this print today, let us reflect on its significance beyond its artistic beauty – it serves as a reminder of our shared history marred by conquests and colonization.
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