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Glass Place Mat : A Kaffir Village, c. 1801 (w / c & graphite on paper)
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A Kaffir Village, c. 1801 (w / c & graphite on paper)
XYC262882 A Kaffir Village, c.1801 (w/c & graphite on paper) by Daniell, Samuel (1775-1811); 32.1x45.1 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12777025
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Buffalo Herd Hillside Huts Indigenous Settlement South African Southern Watering Hole Daily Life Scene Natives
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 18cm (10" x 7.1")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This photo print, titled "A Kaffir Village, c. 1801" takes us back in time to a vibrant South African settlement nestled on a picturesque hillside. The artist, Samuel Daniell, skillfully captures the essence of daily life in this indigenous community through his use of watercolor and graphite on paper. As we gaze upon the scene, our eyes are immediately drawn to a bustling watering hole where cattle gather for refreshment. Surrounding it are huts that dot the landscape, providing shelter for the native inhabitants. Towering trees frame the village, offering shade and tranquility amidst their branches. The composition exudes an air of harmony as we witness members of this close-knit community going about their daily routines. A herd grazes peacefully nearby while villagers engage in various activities – some tending to chores or socializing under tree canopies. The presence of buffalo adds an element of wildness to this otherwise serene setting, reminding us that nature's beauty and unpredictability coexist harmoniously here. This artwork serves as both a historical record and an artistic masterpiece capturing not only the physical aspects but also the spirit and vitality of this southern African settlement. It allows us to appreciate the rich cultural heritage and deep connection with nature that these indigenous people possess. Displayed at Yale Center for British Art as part of Paul Mellon Collection in USA, this timeless piece continues to inspire viewers with its vivid portrayal of life within a Kaffir village over two centuries ago.
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