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Glass Place Mat : Ancient Rome, 1757 (oil on canvas)
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Ancient Rome, 1757 (oil on canvas)
5978843 Ancient Rome, 1757 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 172.1x229.9 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright
Media ID 22772346
© Bridgeman Images
Archaeological Art History Capriccio Colosseum Grandiose Landmark Landmarks Laocoon Montage Pantheon Self Portrait Temples Trajans Column Farnese Hercules History Of Art Neo Classical Neoclassical
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 19.6cm (10" x 7.7")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print takes us back in time to Ancient Rome, beautifully captured by the talented artist Giovanni Paolo Pannini. Painted in 1757, this oil on canvas masterpiece measures an impressive 172.1x229.9 cm and is currently housed at the Metropolitan Museum of Art in New York City. Pannini's attention to detail and skillful brushstrokes transport us into a world of ancient grandeur. The painting showcases various architectural wonders that defined the Roman Empire, including iconic landmarks such as the Pantheon and Colosseum. Sculptures like the famous Laocoon add depth and character to this breathtaking scene. As we explore every corner of this artwork, we are reminded of the rich history embedded within each ruin and temple depicted here. The imperial influence is palpable, with Trajan's Column standing tall amidst other monumental structures. The artist's self-portrait adds a personal touch to this montage of Roman splendor, allowing us to witness his admiration for these historical treasures firsthand. This print not only serves as a visual feast for art enthusiasts but also acts as a window into ancient times—a testament to Pannini's mastery in capturing both architectural beauty and historical significance through his brushstrokes.
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