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Glass Place Mat : Portrait of Mother Catherine-Agnes Arnauld (1593-1671) and Sister Catherine of St

Portrait of Mother Catherine-Agnes Arnauld (1593-1671) and Sister Catherine of St



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Portrait of Mother Catherine-Agnes Arnauld (1593-1671) and Sister Catherine of St

XIR89736 Portrait of Mother Catherine-Agnes Arnauld (1593-1671) and Sister Catherine of St. Suzanne Champaigne (1636-86) the artists daughter, 1662 (oil on canvas) (for detail see 89737) by Champaigne, Philippe de (1602-74); 165x229 cm; Louvre, Paris, France; (add.info.: painted as an act of thanks giving for the miraculous healing of the artists daughter Catherine, a nun in the Jansenist convent of Port-Royal in Paris; She recovered from a serious illness after prayers held in the form of a novena by the community; ); French, out of copyright

Media ID 12943932

© www.bridgemanimages.com

Abbess Habit Invalid Mere Miracle Mother Superior Revelation Soeur Votive Polio


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 25.4cm x 18.2cm (10" x 7.2")

Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")

These are individually made so all sizes are approximate


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> Fine Art Finder > Artists > Philippe de Champaigne

> Fine Art Finder > Clergy,religious Processions & Scenes


EDITORS COMMENTS
This portrait, titled "Portrait of Mother Catherine-Agnes Arnauld and Sister Catherine of St. Suzanne Champaigne" captures a profound moment of gratitude and faith. Painted by Philippe de Champaigne in 1662, this oil on canvas masterpiece measures an impressive 165x229 cm and is housed in the Louvre Museum in Paris. The painting depicts Mother Catherine-Agnes Arnauld, a revered mother superior or abbess, alongside her daughter Sister Catherine. The artwork was commissioned as an act of thanksgiving for the miraculous healing of Sister Catherine from a serious illness. She had been suffering from polio but made a remarkable recovery after prayers held in the form of a novena by their religious community at the Jansenist convent of Port-Royal in Paris. The composition exudes serenity and devotion as both women are depicted wearing traditional habits while engaged in prayerful contemplation. Their expressions convey deep spirituality and reverence towards their shared faith. This painting serves not only as an exquisite example of Baroque portraiture but also as a testament to the power of prayer and divine intervention. It stands as an ex-voto or votive offering, symbolizing gratitude for the miracle that occurred within this devout family. Through its rich symbolism and masterful execution, this artwork invites viewers to reflect upon themes such as faith, resilience, familial bonds, and the transformative power found within acts of devotion.

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