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Glass Place Mat : A man of the Vaishya caste inspects his small-holding, 1827-35 (colour litho)
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A man of the Vaishya caste inspects his small-holding, 1827-35 (colour litho)
478550 A man of the Vaishya caste inspects his small-holding, 1827-35 (colour litho) by Burnouf, M.E. (fl.1827-35); Private Collection; (add.info.: Vaishya, Proprietaire cultivateur, illustration from L Inde Francaise, Paris: Chabrelle, 1827-35.); The Stapleton Collection; British, out of copyright
Media ID 22923520
© The Stapleton Collection / Bridgeman Images
Caste Colonial Era Cultivating Cultivation Gesture Gesturing Inspecting Inspection L Inde Francaise Linde Francaise Orientalism Parasol Shaduf South Asia Small Holding
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 22.3cm (10" x 8.8")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print titled "A man of the Vaishya caste inspects his small-holding, 1827-35" takes us back to colonial-era South Asia. The image showcases a member of the Vaishya caste, known as a Proprietaire cultivateur, meticulously examining his small farm. This colorful lithograph by M. E. Burnouf offers a glimpse into the agricultural practices and traditional dress of this time. The scene is set against a picturesque landscape, with lush gardens and a charming farmhouse in the background. The man's attire reflects his cultural heritage, adorned in traditional garments that signify his social status within the caste system. As he stands amidst his crops, we witness him gesturing towards various elements of cultivation. His inspection reveals not only dedication but also pride in maintaining his small holding. A shaduf and parasol add further authenticity to this portrayal of Indian agriculture. The illustration comes from L'Inde Francaise, an influential publication by Chabrelle during the early 19th century that aimed to shed light on French India. This artwork serves as both documentation and representation of Orientalism prevalent at that time. Overall, this print captures not just a moment frozen in time but also provides insights into farming practices, cultural traditions, and colonial influences in South Asia during the 1800s.
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