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Glass Place Mat : Les miracles de Saint Ignace de Loyola (1491-1553) - The Wonder of Saint Ignatius of
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Les miracles de Saint Ignace de Loyola (1491-1553) - The Wonder of Saint Ignatius of
FIA5406632 Les miracles de Saint Ignace de Loyola (1491-1553) - The Wonder of Saint Ignatius of Loyola - Pieter Paul Rubens (1577-1640). Oil on canvas, c. 1617-1618. Dimension : 535x395 cm. Art History Museum, Vienne by Rubens, Peter Paul (1577-1640); Kunsthistorisches Museum, Vienna, Austria; Photo eFine Art Images; Flemish, out of copyright
Media ID 22778812
© Fine Art Images / Bridgeman Images
Aureola Candlestick Chalice Devil Exorcism Fainting Illness Jesuit Mass Miracle Orders Saint Ignatius Of Loyola Surprise The Good And The Evil Fear Flemish Art
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 18.8cm x 25.4cm (7.4" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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This print showcases the masterpiece "Les miracles de Saint Ignace de Loyola" by renowned Flemish artist Pieter Paul Rubens. Painted in oil on canvas between 1617 and 1618, this monumental artwork measures an impressive 535x395 cm and is currently housed in the Art History Museum in Vienna. The painting depicts various scenes from the life of Saint Ignatius of Loyola (1491-1553), the founder of the Jesuit order. With a rich color palette and meticulous attention to detail, Rubens skillfully captures moments of awe-inspiring wonder and spiritual significance. In one section, we witness priests performing exorcisms, battling against demonic forces with unwavering faith. In another scene, Saint Ignatius himself is shown surrounded by a halo as he performs miraculous healings upon those suffering from illness and infirmity. The composition also includes elements such as angels hovering above an altar adorned with candlesticks and a chalice, symbolizing divine intervention amidst human struggles between good and evil. The expressions on people's faces range from surprise to fear or even fainting due to witnessing these extraordinary events. Rubens' mastery shines through in his ability to convey both the physicality of these miracles while capturing their profound spiritual impact on individuals and society at large. This remarkable piece serves as a testament to Rubens' artistic genius as well as his deep understanding of religious themes within Christian art during the seventeenth century.
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